UPC: 075597982251
Format: LP (3 disc)
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Joshua Redman Quartet: Joshua Redman (tenor & soprano saxophone); Brad Mehldau (piano); Christian McBride (acoustic bass); Brian Blade (drums).
Recorded at Power Station, New York on March 8-10, 1994. Includes liner notes by Joshua Redman.
MOODSWING has been reissued by Nonesuch in a package including both CD and a double-LP, 180-gram vinyl version.
Saxophonist Joshua Redman's third album as a leader is cause for celebration, because here's a young jazzman gifted with all manner of technical gifts, yet he places a premium on feeling and communication. MOODSWING is just that, a series of changes, alternating between the cool and the hot--each arrangement depicting some aspect of Redman's wide-ranging musical personality.
So it comes to pass that a long jump tune such as "Rejoice" (the centerpiece of MOODSWING) celebrates the gospel aspects of jazz in the tried and true manner of the original Jazz Messengers, even as a low-key "Faith" derives its inspiration from quieter forms of devotion, while "Dialogue" manages to combine both as Redman expounds on a quiet Aylerish hymn with escalating intensity.
As with his previous recordings, listeners are left with the sense that young Joshua Redman is mature beyond his years. On a cool, swinging minor blues vamp such as "Chill," the ease with which he manipulates the timbres of his saxophone recall old-time tenor kings from the swing era. And yet, Redman is very much the contemporary thinker, as his funky closing tune "Headin' Home" illustrates. Whether playing R&B or hard bop, ballads or swing, blues or latin, it's the total conviction Joshua Redman brings to every note that makes MOODSWING a joy.
Recorded at Power Station, New York on March 8-10, 1994. Includes liner notes by Joshua Redman.
MOODSWING has been reissued by Nonesuch in a package including both CD and a double-LP, 180-gram vinyl version.
Saxophonist Joshua Redman's third album as a leader is cause for celebration, because here's a young jazzman gifted with all manner of technical gifts, yet he places a premium on feeling and communication. MOODSWING is just that, a series of changes, alternating between the cool and the hot--each arrangement depicting some aspect of Redman's wide-ranging musical personality.
So it comes to pass that a long jump tune such as "Rejoice" (the centerpiece of MOODSWING) celebrates the gospel aspects of jazz in the tried and true manner of the original Jazz Messengers, even as a low-key "Faith" derives its inspiration from quieter forms of devotion, while "Dialogue" manages to combine both as Redman expounds on a quiet Aylerish hymn with escalating intensity.
As with his previous recordings, listeners are left with the sense that young Joshua Redman is mature beyond his years. On a cool, swinging minor blues vamp such as "Chill," the ease with which he manipulates the timbres of his saxophone recall old-time tenor kings from the swing era. And yet, Redman is very much the contemporary thinker, as his funky closing tune "Headin' Home" illustrates. Whether playing R&B or hard bop, ballads or swing, blues or latin, it's the total conviction Joshua Redman brings to every note that makes MOODSWING a joy.
Tracks:
Disc 1:
1 - Sweet Sorrow
2 - Chill
3 - Rejoice
4 - Faith
5 - Alone In the Morning
Disc 2:
1 - Mischief
2 - Dialogue
3 - Oneness of Two
4 - Past In the Present
5 - Obsession
6 - Headin’ Home
Disc 3:
1 - Sweet Sorrow
2 - Chill
3 - Rejoice
4 - Faith
5 - Alone In the Morning
6 - Mischief
7 - Dialogue
8 - Oneness of Two
9 - Past In the Present
10 - Obsession
11 - Headin’ Home
1 - Sweet Sorrow
2 - Chill
3 - Rejoice
4 - Faith
5 - Alone In the Morning
Disc 2:
1 - Mischief
2 - Dialogue
3 - Oneness of Two
4 - Past In the Present
5 - Obsession
6 - Headin’ Home
Disc 3:
1 - Sweet Sorrow
2 - Chill
3 - Rejoice
4 - Faith
5 - Alone In the Morning
6 - Mischief
7 - Dialogue
8 - Oneness of Two
9 - Past In the Present
10 - Obsession
11 - Headin’ Home