UPC: 8719262022942
Format: LP
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€36,95 EUR
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Personnel: Chuck E. Weiss (vocals, drums, percussion); Tom Waits (vocals, guitar); Tony Gilkyson, J.J. Holiday (guitar); Spyder Mittelman, C.C. Worall (saxophone); Lee Thornberg (trumpet); Will McGregor, Rick Vito (bass); Nick Vincent, Jim Christie (drums, percussion); Eleni Mandell, John Herron (background vocals).
Producers: Tony Gilkyson, Tom Waits, George Howard, Mike Hutchinson, Chuck E. Weiss.
You might think you're unfamiliar with Chuck E. Weiss, but you're probably incorrect. He became a permanent sidebar to pop culture when Rickie Lee Jones' ode to his romantic bliss "Chuck E.'s In Love" became a huge hit in the '70s. That decade saw the release of some Weiss solo material that went largely unnoticed. After a long recording layoff, veteran L.A. scenester Weiss returns with EXTREMELY COOL. Produced by his longtime buddy TOM WAITS, the album sounds like a slightly more accesible version of Waits' RAIN DOGS-era material, full of purposefully primitive percussion, artfully twisted, blindingly eclectic arrangements and gravelly, mad-dog vocals. Weiss' is a vision of America that effectively blends trailer park, carnival and freak show. His compositions are much more conventional than those of Waits (who cowrote a couple of tunes here), but the production takes them just as far from the mainstream as Waits' weirdest.
Producers: Tony Gilkyson, Tom Waits, George Howard, Mike Hutchinson, Chuck E. Weiss.
You might think you're unfamiliar with Chuck E. Weiss, but you're probably incorrect. He became a permanent sidebar to pop culture when Rickie Lee Jones' ode to his romantic bliss "Chuck E.'s In Love" became a huge hit in the '70s. That decade saw the release of some Weiss solo material that went largely unnoticed. After a long recording layoff, veteran L.A. scenester Weiss returns with EXTREMELY COOL. Produced by his longtime buddy TOM WAITS, the album sounds like a slightly more accesible version of Waits' RAIN DOGS-era material, full of purposefully primitive percussion, artfully twisted, blindingly eclectic arrangements and gravelly, mad-dog vocals. Weiss' is a vision of America that effectively blends trailer park, carnival and freak show. His compositions are much more conventional than those of Waits (who cowrote a couple of tunes here), but the production takes them just as far from the mainstream as Waits' weirdest.