UPC: 8013252900167
Format: LP
Regular price
€29,95 EUR
Regular price
Sale price
€29,95 EUR
Unit price
per
Couldn't load pickup availability
FREE SHIPPING
This item is currently out of stock and may be on backorder.

Cream: Eric Clapton (vocals, guitar); Jack Bruce (vocals, 6-string bass, harmonica); Ginger Baker (vocals, drums).
Recorded at Chalk Farm Studios and Mayfair Studios, London, England.
From the acappella intro on "I Feel Free" to the tumultuous rhythmic underpinnings of "N.S.U.," Cream's debut album FRESH CREAM was a pronouncement that drums and bass would no longer be limited to the role of background instruments, that rock guitarists would henceforth be judged by the standard of Eric Clapton's soaring, lyric signature, and that emotional/instrumental content is as important as the singer and song. To appreciate the energetic slant Cream put on traditional blues, check out their manic, up-tempo version of Muddy Waters' "Rollin' And Tumblin'." And where many bands routinely ripped off folk and blues artists, Cream made sure people like Robert Johnson ("Four Until Late"), Willie Dixon ("Spoonful"), and Skip James ("I'm So Glad") got both credit and royalties, while expanding the audience for pure blues music.
Recorded at Chalk Farm Studios and Mayfair Studios, London, England.
From the acappella intro on "I Feel Free" to the tumultuous rhythmic underpinnings of "N.S.U.," Cream's debut album FRESH CREAM was a pronouncement that drums and bass would no longer be limited to the role of background instruments, that rock guitarists would henceforth be judged by the standard of Eric Clapton's soaring, lyric signature, and that emotional/instrumental content is as important as the singer and song. To appreciate the energetic slant Cream put on traditional blues, check out their manic, up-tempo version of Muddy Waters' "Rollin' And Tumblin'." And where many bands routinely ripped off folk and blues artists, Cream made sure people like Robert Johnson ("Four Until Late"), Willie Dixon ("Spoonful"), and Skip James ("I'm So Glad") got both credit and royalties, while expanding the audience for pure blues music.