UPC: 816651011582
Format: LP (2 disc)
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![All the Pain Money Can Buy [Bonus Tracks] cover art](http://www.innersleeve.com/cdn/shop/products/cfda729cc3e06ea5ccb03d07a88bd2f3.jpg?v=1678395736&width=1445)
Fastball: Miles Zuniga (vocals, guitar, keyboards); Tony Scalzo (vocals, bass, keyboards); Joey Schuffield (drums, percussion).
Additional personnel: Poe (vocals); Erika Duke-Kirkpatrick (cello); Doug Norwine (tenor saxophone); Greg Smith (baritone saxophone); Dennis Farias, Rick Braun (trumpet); Nick Lane (trombone); Walt Vincent (piano); Bennett Salvay (electric piano); Kim Bullard (organ, keyboards, programming); Guy Fantasy (background vocals).
Recorded at A&M Studios, Hollywood, California.
"The Way" was nominated for the 1999 Grammy Award for Best Rock Performance By A Duo Or A Group With Vocal.
Fastball is nothing if not resourceful. They've obviously done their rock & roll homework, and their aural arsenal includes a wide range of influences they can call upon at will. The jangly "Fire Escape" comes off like a cross between Dylan's "All I Really Want To Do" and Dada's "Dizz Knee Land." The minor-key melodic twists and sarcastic bite of "The Way" suggest Freedy Johnston fronting Cake. "Better Than It Was" is prime power-pop, and could have been an outtake from the late, lamented Posies. The most impressive thing, though, is the way the band brings their inspirations to bear in a cohesive, original way.
Additional personnel: Poe (vocals); Erika Duke-Kirkpatrick (cello); Doug Norwine (tenor saxophone); Greg Smith (baritone saxophone); Dennis Farias, Rick Braun (trumpet); Nick Lane (trombone); Walt Vincent (piano); Bennett Salvay (electric piano); Kim Bullard (organ, keyboards, programming); Guy Fantasy (background vocals).
Recorded at A&M Studios, Hollywood, California.
"The Way" was nominated for the 1999 Grammy Award for Best Rock Performance By A Duo Or A Group With Vocal.
Fastball is nothing if not resourceful. They've obviously done their rock & roll homework, and their aural arsenal includes a wide range of influences they can call upon at will. The jangly "Fire Escape" comes off like a cross between Dylan's "All I Really Want To Do" and Dada's "Dizz Knee Land." The minor-key melodic twists and sarcastic bite of "The Way" suggest Freedy Johnston fronting Cake. "Better Than It Was" is prime power-pop, and could have been an outtake from the late, lamented Posies. The most impressive thing, though, is the way the band brings their inspirations to bear in a cohesive, original way.
Tracks:
Disc 1:
1 - Way
2 - Fire Escape
3 - Better Than It Was
4 - Which Way to the Top?
5 - Sooner or Later
6 - Warm Fuzzy Feeling
7 - Slow Drag
8 - G.O.D. (Good Old Days)
9 - Charlie, the Methadone Man
10 - Out of My Head
11 - Damaged Goods
12 - Nowhere Road
13 - Sweetwater, Texas
Disc 2:
1 - Quit Your Job
2 - Freeloader Freddy
3 - Way
4 - Fire Escape
5 - Slow Drag
6 - Sweetwater, Texas
7 - Androgynous
8 - This Guy's in Love with You
9 - Way [Unpaved, Acoustic Version]
1 - Way
2 - Fire Escape
3 - Better Than It Was
4 - Which Way to the Top?
5 - Sooner or Later
6 - Warm Fuzzy Feeling
7 - Slow Drag
8 - G.O.D. (Good Old Days)
9 - Charlie, the Methadone Man
10 - Out of My Head
11 - Damaged Goods
12 - Nowhere Road
13 - Sweetwater, Texas
Disc 2:
1 - Quit Your Job
2 - Freeloader Freddy
3 - Way
4 - Fire Escape
5 - Slow Drag
6 - Sweetwater, Texas
7 - Androgynous
8 - This Guy's in Love with You
9 - Way [Unpaved, Acoustic Version]