UPC: 4050538675030
Format: LP
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From Autumn To Ashes: Francis Mark (vocals, drums); Benjamin Perri (vocals); Brian Deneeve, Scott Gross (guitar); Mike Pilato (bass).
Recorded in Vancouver, British Colombia, Canada.
Long Island's From Autumn To Ashes (or FATA to their friends) achieved success with their brand of high-octane metalcore the old-fashioned way--with the assistance of a loyal fan base, the product of an exacting performing schedule that included a high-profile 2003 Warped Tour. Their second album, THE FICTION WE LIVE, builds on the foundations of their debut, TOO BAD YOU'RE BEAUTIFUL, itself something of a departure from metal norms.
The band's imaginative take on what can often be a derivative field features airy, seemingly unpremeditated arrangements that combine the requisite half-man/half-monster vocals of lead singer Ben Perri with the more plaintive stylings of drummer/vocalist Fran Mark (whose Neil Peart-influenced percussive assault stands in wild contrast to his almost high-lonesome voicings). Songs such as "The After Dinner Payback," with its switchback tempo changes, are a dynamic shot in the arm to a genre that has found it's sometimes all too easy to forsake originality for speed and crushing volume.
Recorded in Vancouver, British Colombia, Canada.
Long Island's From Autumn To Ashes (or FATA to their friends) achieved success with their brand of high-octane metalcore the old-fashioned way--with the assistance of a loyal fan base, the product of an exacting performing schedule that included a high-profile 2003 Warped Tour. Their second album, THE FICTION WE LIVE, builds on the foundations of their debut, TOO BAD YOU'RE BEAUTIFUL, itself something of a departure from metal norms.
The band's imaginative take on what can often be a derivative field features airy, seemingly unpremeditated arrangements that combine the requisite half-man/half-monster vocals of lead singer Ben Perri with the more plaintive stylings of drummer/vocalist Fran Mark (whose Neil Peart-influenced percussive assault stands in wild contrast to his almost high-lonesome voicings). Songs such as "The After Dinner Payback," with its switchback tempo changes, are a dynamic shot in the arm to a genre that has found it's sometimes all too easy to forsake originality for speed and crushing volume.