Amazing Grace

Spiritualized: Spaceman (vocals, acoustic guitar & electric guitars, banjo, hammered dulcimer, piano, Farfisa organ, bass, bells); John Coxon (guitar, autoharp, harmonica, piano, Fender Rhodes piano, Hannond B-3 organ, bass); Doggen (guitar, harmonica, bass); Thighpaulsandra (piano, Fender Rhodes piano, organ, keyboards); Tom Edwards (piano, Farfisa organ, vibraphone, marimba, timpani, maracas, tambourine, bells); Kevin Bales (drums).
Additional personnel includes: Evan Parker (saxophone); Kenny Wheeler (trumpet).
From the dirty guitar hook and aggressive, snare-heavy drum intro that open AMAZING GRACE, it's immediately apparent that after J. Spaceman's excursions into the outer reaches of the universe, he's finally returned home to Earth to offer the world his take on the rawest of rock genres: garage. The narcotic, pulsing minimalism of Spacemen 3 and even earlier Spiritualized releases, however, has not been completely left floating in space. This quality manifests itself here within the roaring, single-chord build-ups of "This Little Life of Mine" and "She Kissed Me (It Felt Like a Hit)," both of which simmer with blues riffs constantly on the verge of feedback.
However, the real highlights on AMAZING GRACE come in the shape of Spaceman's soulful, swathed-in-reverb spirituals, which uplift the listener both sonically and lyrically. "Hold On" oozes through the speakers gently, past the massive distorted guitars and walls of organ, opening into the blissful and fragile verse, "Hold on to those you hold dear," sounding a bit like Syd Barrett covering Johnny Cash. "Oh Baby" offers more of the same, but with the choral arrangements of Pink Floyd and the bombast of the Swans. Recorded mostly live with minimal overdubs, AMAZING GRACE offers a religious rock experience, existing somewhere between the ground and the sky.