{"title":"Back in Stock","description":"","products":[{"product_id":"nirvana-us-mtv-unplugged-in-new-york","title":"MTV Unplugged in New York","description":"Nirvana: Kurt Cobain (vocals, acoustic guitar); Dave Grohl (vocals, bass, drums); Krist Novoselic (guitar, accordion, bass).\u003cbr\u003eAdditional personnel: Cris Kirkwood (acoustic guitar, bass); Pat Smear, Curt Kirkwood (acoustic guitar); Lori Goldston (cello).\u003cbr\u003eRecorded live at Sony Music Studios, New York, New York on November 18, 1993.\u003cbr\u003eUNPLUGGED IN NEW YORK is part of MTV's \"Unplugged\" series.\u003cbr\u003eUNPLUGGED IN NEW YORK won a 1996 Grammy Award for Best Alternative Music Performance.\u003cbr\u003eSadly, MTV Unplugged stands as Nirvana's last album. While it's an album of covers and old songs, it ranks as one of the band's most cohesive records. Instead of relying on the trio's overpowering sonic force, Unplugged concentrates on Kurt Cobain's subtly shaded songwriting and Nirvana's deceptively simple musical power. Every version of their previously recorded songs, with the possible exception of \"On a Plain,\" dramatically improves the original, and the covers reveal more about Cobain than he intended. By the time Nirvana close with a wrenching, spine-chilling version of Leadbelly's \"Where Did You Sleep Last Night,\" the emotional complexity of Nirvana's music is clear. It's also clear that they could have made even greater music. ~ Stephen Thomas Erlewine","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845308326053,"sku":"720642472712","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/cc3b3d93e58defaac6c3ca0a1002595f.jpg?v=1778675313"},{"product_id":"paul-simon-graceland-25th-anniversary-edition","title":"Graceland [25th Anniversary Edition]","description":"Personnel includes: Paul Simon (vocals, guitar); Linda Ronstadt, The Everly Brothers, Ladysmith Black Mambazo, General M.D. Shirinda, The Gaza Sisters, Joseph Shabalala (vocals); Adrian Belew (guitar, syntesizer guitar); Chikapa \"Ray\" Phiri, Daniel Xilakazi (guitar); Demola Adepoju (pedal steel); Forere Motloheloa, Jonhjon Mikhalali (accordion); Alex Foster (alto sax); Lenny Pickett (tenor sax); Ronnie Cuber (baritone saxophone); Earl Gardner, Jon Faddis, Randy Brecker, Lew Soloff, Alan Rubin (trumpet); Rob Mounsey (synthesizer); Baghiti Khumalo (bass); Vusi Khumalo (drums); Lulu Masilela (tambourine); Youssou N'Dour, Makhaya Mahlangu Ralph McDonald, Babacar Faye, Assane Thiam (percussion).\u003cbr\u003eLos Lobos: Cesar Rosas (vocals, guitar); David Hildago (vocals, guitar, accordion); Steve Berlin (saxophone); Conrad Lozano (bass); Louie Perez, Steve Gadd (drums).\u003cbr\u003eEngineers include: Roy Halee, Peter Thwaites, Mark Cobrin.\u003cbr\u003eAired on VH-1 and PBS, GRACELAND includes interviews, performances, and additional footage not previously seen.\u003cbr\u003eWith Graceland, Paul Simon hit on the idea of combining his always perceptive songwriting with the little-heard mbaqanga music of South Africa, creating a fascinating hybrid that re-enchanted his old audience and earned him a new one. It is true that the South African angle (including its controversial aspect during the apartheid days) was a powerful marketing tool and that the catchy music succeeded in presenting listeners with that magical combination: something they'd never heard before that nevertheless sounded familiar. As eclectic as any record Simon had made, it also delved into zydeco and conjunto-flavored rock \u0026amp; roll while marking a surprising new lyrical approach (presaged on some songs on Hearts and Bones); for the most part, Simon abandoned a linear, narrative approach to his words, instead drawing highly poetic (\"Diamonds on the Soles of Her Shoes\"), abstract (\"The Boy in the Bubble\"), and satiric (\"I Know What I Know\") portraits of modern life, often charged by striking images and turns of phrase torn from the headlines or overheard in contemporary speech. An enormously successful record, Graceland became the standard against which subsequent musical experiments by major artists were measured. [A 25th Anniversary Edition was released in 2012.] ~ William Ruhlmann","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845308686501,"sku":"886919147216","price":30.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/c407d68337a678e2dfd755ddf35c1cab.jpg?v=1780142406"},{"product_id":"drake-rap-take-care-pa","title":"Take Care","description":"After becoming one of the decade's biggest newcomers with his 2010 debut, hip-hop star Drake makes a fast return with this sophomore album, released a year-and-a-half after the platinum-selling Thank Me Later. Although Take Care builds off the brainy, dynamic, hip-hop template that Thank Me Later established, it also features more guest spots than its predecessor, with artists like the Weeknd, Stevie Wonder, Rick Ross and Rihanna also making cameo appearances. The real star is Drake, who balances the heavy set list with self-aware witticisms and a sharp, measured delivery.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845308752037,"sku":"602527867960","price":40.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/807aa52a10f093ede7084b785a05b3db.jpg?v=1780226468"},{"product_id":"lana-del-rey-paradise","title":"Paradise","description":"Even after selling nearly three million copies of her debut album worldwide, Lana Del Rey still faced a challenge during 2012: namely, proving to critics and prospective fans that Born to Die wasn't a fluke. In that spirit, Del Ray released Paradise, a mini-album close to Christmas, that finds her in perfect control of her voice, much more assured than she was even one year ago, and frequently capable of astonishing her listeners with a very convincing act. As for the sound, it should be familiar to fans of Born to Die, with strings that move at a glacial pace, drums that crash like waves in slow motion, and additional textures (usually electric guitar or piano) that are cinematic in their sound and references. There's really only one difference between Born to Die and Paradise, but it's a big one. Instead of acting the submitting, softcore, '60s-era plaything, here she's more of a wasted, hardcore, post-millennial plaything. She even goes so far as to tell her audience that she likes it rough (in words that earn the parental advisory sticker), to ask whether she can put on a show, and at her most explicit, proffering a simile that compares the taste of an intimate part of her anatomy to Pepsi. The inclusion of a cover, \"Blue Velvet,\" is not only a perfect match for her style, but also a hint that she can perform up to better material. Still, all of this is merely the material for her continuing popularity and attraction. She puts it better here than anyone else, with another simile: \"Like a groupie incognito posing as a real singer, life imitates art.\" ~ John Bush","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845308784805,"sku":"602537204694","price":31.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/1b926a2a850f36a7b1056f57f3d75a60_1b3b7c10-6130-4ac8-b901-a98309cda19b.jpg?v=1776420897"},{"product_id":"beastie-boys-check-your-head-remastered-edition-pa","title":"Check Your Head [Remastered Edition]","description":"The Beastie Boys: Adrock (vocals, guitar); MCA (vocals, bass); Mike D (vocals, drums).\u003cbr\u003eAdditional personnel: Mark Ramos Nishita (keyboards); Sian Harwood (background vocals), Biz Markie.\u003cbr\u003eRecorded at G-Son Studios, Atwater Village, California.\u003cbr\u003eA marked improvement over the deluxe reissue of PAUL'S BOUTIQUE, this double-disc (or four-LP) set also befits the usual overstuffed retrospective more naturally, given the original CHECK YOUR HEAD's immersion in several styles. The 16 songs of bonus material feature familiar B-sides ((like \"Drinkin' Wine\"), live tracks, and instrumentals. Bute alternate versions of classic tracks (including two remixes and a live version of \"So What'cha Want\") are even more revealing, inspiring admiration for both HEAD's wide-openness for interpretation and its effectiveness as a stripped-down jam session. The original release, remastered or not, holds up as a bridge between the beat-and-sample mashing of old school hip-hop and the genre's alterna-esoteric future, a testament to how the Beasties defined each end of the spectrum.\u003cbr\u003eSome albums define an era, a place, a certain time in one's life; they exist as soundtracks for our memories, bringing that extra scent of poignancy to them. CHECK YOUR HEAD practically defined the summer of 1992 for those who were wary of the mainstreaming of rap and somewhat bored by the insurgency of grunge. By holding their heads firmly outside of any particular musical genre, MCA, Adrock \u0026amp; Mike D. created their own space; distorted, fuzzy, peppered with the swagger of punk and the rootsy earthiness of early-'70s soul-jazz, and layered with ten years of hip-hop know-how.\u003cbr\u003eFrom the opening chords of \"Jimmy James,\" it's clear that the Beastie Boys would have a chance to permanently shed the label of \"fratboy rappers\" that LICENSED TO ILL had forced upon them. Lo-fi, garagy, guitar-riff-loaded tracks like \"Pass Da Mic\" and \"Gratitude\" made it clear that the Beastie Boys could be taken as serious musical forces, even innovators. Yet they could still call back on their silly selves for romps like \"Professor Booty\" and \"Funky Boss.\" One of the best albums of the 90's, CHECK YOUR HEAD is a turning point for a band and the genesis of a new musical hybrid.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845308850341,"sku":"5099969422515","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/abc26aa9183b378fff91026c09de8417_822ec65d-261a-4218-a711-cd146b677c27.jpg?v=1777653260"},{"product_id":"the-doors-doors-180-gram-vinyl","title":"Doors [180 Gram Vinyl]","description":"The Doors: Jim Morrison (vocals); Robby Krieger (guitar); Ray Manzarek (keyboards); John Densmore (drums).\u003cbr\u003eAdditional personnel: Larry Knechtel (bass).\u003cbr\u003eRecorded at Sunset Sound Recorders, Hollywood, California.\u003cbr\u003eThe Doors: Jim Morrison (vocals); Robby Krieger (guitar); Ray Manzarek (keyboards); John Densmore (drums).\u003cbr\u003eIncludes liner notes by Danny Sugarman.\u003cbr\u003eDigitally remastered by Bruce Botnick.\u003cbr\u003eThe Doors: Jim Morrison (vocals); Robby Krieger (guitar); Ray Manzarek (piano, organ, bass); John Densmore (drums).\u003cbr\u003eRecorded at Sunset Sound Recorders, Hollywood, California in September 1966. Originally released on Electra (74007).\u003cbr\u003eDigitally remastered by Steve Hoffman.\u003cbr\u003eIn 1965, University of California student Ray Manzarek invited a fellow student, singer\/songwriter Jim Morrison, to join his and his two brothers' R\u0026amp;B band, Rick And The Ravens. Manzarek then recruited drummer John Densmore. His brothers then dropped out of the group, replaced by guitarist Robbie Krieger. The group, now named the Doors, became popular on the Los Angeles club scene. Elektra recording artists Love recommended the group to their label, which signed them in 1966. THE DOORS, released in 1967, showcased Manzarek's flowing organ and Morrison's dramatic voice.\u003cbr\u003eThe group achieved massive success, but Morrison's frustration with his role as a pop idol grew ever more pronounced. In July 1969, following a concert in Miami, he was indicted for indecent exposure, public intoxication and profane, lewd and lascivious conduct. Although he was later acquitted of all but the minor charges, the incident forced the group to cancel its next few months of concerts. MORRISON HOTEL, a tough R\u0026amp;B-based collection, matched the best of their early releases. However, Morrison now preferred to write poetry. Having completed sessions for a new album, he escaped to Paris to pursue a literary career. On 3 July 1971, he was found dead in his bathtub. The official cause was a heart attack.\u003cbr\u003eLA WOMAN, Morrison's final recording with the Doors, is one of their finest achievements, including 'Riders On The Storm'. The surviving Doors soldiered on for two more albums before disbanding. Interest in the Doors flourished throughout the 70s and in 1991, the film biography The Doors appeared.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845308948645,"sku":"081227986506","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/296c9d9046ba1163dd6c68cf7edbece7.jpg?v=1779967791"},{"product_id":"zz-top-eliminator-lp","title":"Eliminator [LP]","description":"ZZ Top: Billy Gibbons (guitar, vocals); Dusty Hill (bass, synthesizers, vocals); Frank Beard (drums, percussion).\u003cbr\u003eELIMINATOR, with its churning guitars and synthesizer hooks, was on the album charts for over a year, and had hits with \"Sharp Dressed Man,\" \"Gimme All Your Lovin'\" and \"Legs.\" The album and its accompanying videos were ubiquitous in 1983, on television ZZ Top was seen on MTV, \"St. Elsewhere,\" even on the Tonight show.\u003cbr\u003e1983 was the year Z.Z. Top went from being everyone's favourite bar-room boogie band to international superstars. Graced with mind-boggling and incredibly photogenic beards, a very neat trilogy of sexy videos and a collective ear for a quite distinct and highly stylized, if somewhat grizzled blues\/pop, the sudden enormity of their success seems in retrospect like no real surprise. MTV had never quite seen the like and the attention given to the excellent 'Gimme All Your Lovin'' single was quickly repeated for both 'Sharp-Dressed Man' and the quite irreverent 'Legs'. It still sounds fresh, innovative and fun today. in the wake of many imitators.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845309046949,"sku":"081227943196","price":28.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/0a68d162a0624b4f21f674dfe25e2ca7_cf6362a1-9bc2-4004-b75a-1e1c57ba143e.jpg?v=1777684797"},{"product_id":"bon-jovi-slippery-when-wet-lp","title":"Slippery When Wet [LP]","description":"Bon Jovi: Jon Bon Jovi (vocals); Richie Sambora (acoustic \u0026amp; electric guitars, guitar synthesizer, talk box, background vocals); Dave Bryan (keyboards, background vocals); Hugh McDonald (bass, background vocals); Tico Torres (drums, percussion).\u003cbr\u003eRecorded at Little Mountain, Vancouver, British Columbia.\u003cbr\u003eAll tracks have been digitally remastered using 20-bit technology by George Marino (Summer 1998, Sterling Sound, New York, New York).\u003cbr\u003eThis video compilation includes interviews of the band.\u003cbr\u003eSlippery When Wet wasn't just a breakthrough album for Bon Jovi; it was a breakthrough for hair metal in general, marking the point where the genre officially entered the mainstream. Released in 1986, it presented a streamlined combination of pop, hard rock, and metal that appealed to everyone -- especially girls, whom traditional heavy metal often ignored. Slippery When Wet was more indebted to pop than metal, though, and the band made no attempt to hide its commercial ambition, even hiring an outside songwriter to co-write two of the album's biggest singles. The trick paid off as Slippery When Wet became the best-selling album of 1987, beating out contenders like Appetite for Destruction, The Joshua Tree, and Michael Jackson's Bad.\u003cbr\u003ePart of the album's success could be attributed to Desmond Child, a behind-the-scenes songwriter who went on to write hits for Aerosmith, Michael Bolton, and Ricky Martin. With Child's help, Bon Jovi penned a pair of songs that would eventually define their career -- \"Living on a Prayer\" and \"You Give Love a Bad Name\" -- two teenage anthems that mixed Springsteen's blue-collar narratives with straightforward, guitar-driven hooks. The band's characters may have been down on their luck -- they worked dead-end jobs, pined for dangerous women, and occasionally rode steel horses -- but Bon Jovi never presented a problem that couldn't be cured by a good chorus, every one of which seemed to celebrate a glass-half-full mentality. Elsewhere, the group turned to nostalgia, using songs like \"Never Say Goodbye\" and \"Wild in the Streets\" to re-create (or fabricate) an untamed, sex-filled youth that undoubtedly appealed to the band's teen audience. Bon Jovi wasn't nearly as hard-edged as Mötley Crüe or technically proficient as Van Halen, but the guys smartly played to their strengths, shunning the extremes for an accessible, middle-of-the-road approach that wound up appealing to more fans than most of their peers. \"It's alright if you have a good time,\" Jon Bon Jovi sang on Slippery When Wet's first track, \"Let It Rock,\" and those words essentially served as a mantra for the entire hair metal genre, whose carefree, party-heavy attitude became the soundtrack for the rest of the `80s. ~ Andrew Leahey","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845309079717,"sku":"602547029218","price":35.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/677c0cb87d6a0855afbf168a0e082e1f_926489bd-8fd5-4fb3-b7fb-ddba603d9b86.jpg?v=1780485871"},{"product_id":"beck-odelay-lp","title":"Odelay [LP]","description":"Personnel: Beck Hansen (vocals, acoustic, slide \u0026amp; electric guitars, harmonica, electric piano, celeste, Clavinet, organ, keyboards, bass, drums, percussion); Greg Leisz (pedal steel guitar); David Brown (saxophone); Mike Boito (trumpet, organ); Charlie Haden (acoustic bass); Joey Waronker (drums, percussion); Ross Harris.\u003cbr\u003eProducers: Beck Hansen, The Dust Brothers, Mario Caldato Jr., Brian Paulson, Tom Rothrock.\u003cbr\u003eLike its creator's freewheeling songwriting process, ODELAY is a monument to wondrously precise pastiche. It's a glowing junkyard of musical styles, absurdist images, distorted samples, postmodern anti-emotions, you name it. Over the course of his three previous albums, Beck tinkered with more traditions and aesthetic approaches than an average cultural-studies professor sees in a career: hip-hop beats, acoustic folk-blues, indie-punk guitar squalls, DIY production, commercial smash! ODELAY accounts for all those things, too, but it also furthers the seamless, rump-shaking sheen of its collage nature, turning process into possible meaning.\u003cbr\u003eOn one hand, the thematic darkness that hangs over most of these songs exposes Beck for the creative doomsayer he is--just another sullen young man with a gift of the native tongues. On the other, the life-affirming irreverence with which he drops harebrained couplets, monologues and call-and-response chants based on designer-jeans brands betrays the glowing confidence of someone in love with all the places the creative process can take you. Grooving all the while, Beck seems like the loving creator of a '90s version of the electric Dylan frenzy. And ODELAY seems sorta like his BRINGING IT ALL BACK HOME.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845309145253,"sku":"602547933782","price":31.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/3b8a2ca84112bc428c23a5d64c463627_365202aa-31e8-4ff0-956c-395dde7f1c10.jpg?v=1779644241"},{"product_id":"death-cab-for-cutie-plans","title":"Plans","description":"The success of Death Cab For Cutie's TRANSATLANTICISM, and Death Cab main man Ben Gibbard's debut album with the Postal Service, combined to make PLANS one of the most heavily anticipated indie-rock records in many moons. Anyone who thought the band's move to a major label would rob DCFC's unique brand of literate, melancholy music of its legendary intensity needn't have worried--PLANS is one of the group's most accomplished and emotionally resonant efforts.\u003cbr\u003eSonically, the disc has a Beatlesque anything-goes attitude and attention to arrangement details. \"Summer Skin\" is driven by a military-style snare pattern and elliptical bass line but sprinkled with atmospheric sound effects. The throbbing dance-rock beat of \"Different Names\" is offset by delicate xylophone and percolating synthesizer. The disc's highlight, however, may be \"Someday You Will Be Loved,\" which is the kind of simple, irony-free love ballad that stands as a great song with or without production tricks. All the while, Gibbard's artful, introspective lyrics consistently excite the ear with quirky turns of phrase and descriptive imagery. Both a step forward and a refining of past glories, PLANS is a record filled with quietly powerful moments.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845309210789,"sku":"8718469538034","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/2b24009c3cb5daa5a31ec2ed8fdcba2f_82f3e43b-9dfa-46e7-a4c3-cac5937d0f52.jpg?v=1777722993"},{"product_id":"michael-jackson-off-the-wall","title":"Off the Wall","description":"OFF THE WALL remaster contains previously unreleased demos and commentary by producer Quincy Jones and songwriter Rod Temperton.\u003cbr\u003ePersonnel includes: Michael Jackson (vocals, percussion); Patti Austin (vocals); David Williams, Marlo Henderson, Phil Upchurch, Wah Wah Watson, Marlo Henderson, Larry Carlton (guitar); Larry Williams (flute, alto \u0026amp; tenor saxophones); Kim Hutchcroft (flute, tenor \u0026amp; baritone saxophones); Jerry Hey (trumpet, flugelhorn); Gary Grant (trumpet); William Reichenbach (trombone); Greg Phillinganes (electric piano, synthesizer); David \"Hawk\" Wolinski (electric piano); Michael Boddiker (synthesizer, programming); George Duke, David Foster (synthesizer); Louis Johnson (bass); John Robinson (drums, percussion); Randy Jackson, Janet Jackson, Richard Heath, Paulinho Da Costa (percussion).\u003cbr\u003eProducers: Quincy Jones, Michael Jackson.\u003cbr\u003eReissue producer: Bruce Swedien.\u003cbr\u003eRecorded in Los Angeles, California between 1978 \u0026amp; 1979. Originally released on Epic (35745).\u003cbr\u003eDigitally remastered by Bernie Grundman (Bernie Grundman Mastering, Los Angeles, California).\u003cbr\u003eMichael Jackson had recorded solo prior to the release of Off the Wall in 1979, but this was his breakthrough, the album that established him as an artist of astonishing talent and a bright star in his own right. This was a visionary album, a record that found a way to break disco wide open into a new world where the beat was undeniable, but not the primary focus -- it was part of a colorful tapestry of lush ballads and strings, smooth soul and pop, soft rock, and alluring funk. Its roots hearken back to the Jacksons' huge mid-'70s hit \"Dancing Machine,\" but this is an enormously fresh record, one that remains vibrant and giddily exciting years after its release. This is certainly due to Jackson's emergence as a blindingly gifted vocalist, equally skilled with overwrought ballads as \"She's Out of My Life\" as driving dancefloor shakers as \"Working Day and Night\" and \"Get on the Floor,\" where his asides are as gripping as his delivery on the verses. It's also due to the brilliant songwriting, an intoxicating blend of strong melodies, rhythmic hooks, and indelible construction. Most of all, its success is due to the sound constructed by Jackson and producer Quincy Jones, a dazzling array of disco beats, funk guitars, clean mainstream pop, and unashamed (and therefore affecting) schmaltz that is utterly thrilling in its utter joy. This is highly professional, highly crafted music, and its details are evident, but the overall effect is nothing but pure pleasure. Jackson and Jones expanded this approach on the blockbuster Thriller, often with equally stunning results, but they never bettered it. [Off the Wall was re-released on LP in 2016.] ~ Stephen Thomas Erlewine","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845309276325,"sku":"888751894211","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/9c297db9a0be58c83d1746b8c8d430c1_76868669-78ce-462d-bf5b-4ca6efda60f8.jpg?v=1777716312"},{"product_id":"panic-at-the-disco-death-of-a-bachelor-lp","title":"Death of a Bachelor [LP]","description":"Panic! At the Disco Death of a Bachelor [LP] *","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845309309093,"sku":"075678666636","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/8d15ab3d77b28ae6493f3c3d8f78ae6d.jpg?v=1779879384"},{"product_id":"metallica-kill-em-all-lp","title":"Kill 'Em All [LP]","description":"Metallica Kill 'Em All [LP]","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845309341861,"sku":"858978005035","price":30.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/f5f16ca44115997cf05b9bd8680b3a27_5a5ad490-ebfa-4ffa-8122-c3f8cb0092b4.jpg?v=1777717064"},{"product_id":"ariana-grande-sweetener-11-2","title":"Sweetener [2 LP]","description":"Ariana Grande never explicitly mentions the bombing at her Manchester Arena concert on Sweetener, the first album she's recorded since that May 2017 tragedy, yet its presence is evident throughout the record. It's there on the opening song, an interpolation of the old Four Seasons song \"An Angel Cried,\" its title suggesting sadness. It's there in the hopeful closer \"Get Well Soon,\" whose gospel turns of phrase play like a benediction. It's there in the percolating \"The Light Is Coming,\" which dismisses darkness. Most of all, it's there in the maturity and focus Grande displays on Sweetener, an album that broadens and deepens the R\u0026amp;B inclinations of 2016's Dangerous Woman. Grande may still find some space for silliness -- witness \"Pete Davidson,\" a minute-long ode to her fiancé which winds up with her repeating \"happy\" as if it were a mantra -- but Sweetener never seems frivolous. The love songs carry weight, there's gravity in the effervescent re-creations of disco; the sparkling EDM surfaces of \"Good Night N Go\" coalesce into a sweet romanticism, and the big club beats seem elastic, not rigid. Similarly, Grande never pushes these songs too hard. Instead of favoring vocal pyrotechnics, she demonstrates restraint, which isn't merely an indication of stylistic maturation but how her songs resonate without such tricks. Such concentration doesn't simply result in a stronger set of songs, but an album that coheres in a way other Ariana Grande albums don't, which means Sweetener is something of a double triumph: she's come through a tough time stronger and better than before. ~ Stephen Thomas Erlewine","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845309767845,"sku":"602577005954","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/6584a6a2237f5bec050f3892a8e2dac0_23c97f85-203c-401d-bac5-af4617f4ae36.jpg?v=1778755358"},{"product_id":"metallica-and-justice-for-all","title":"...And Justice for All","description":"…And Justice For All","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845309866149,"sku":"858978005776","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/9cfc5bdc556fcdfb19e95ab7a188c287_ee7294a9-1616-4d3c-896c-cffab28827c1.jpg?v=1777815786"},{"product_id":"lana-del-rey-norman-fucking-rockwell-3-10","title":"Norman Fucking Rockwell!","description":"Lana Del Rey - Norman Fucking Rockwell (2 Lp)","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845309964453,"sku":"602508409400","price":43.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/ffee85870d6b1d4dd939bae59fc459e0_486332c4-e2e1-4362-bf11-f953efa585af.jpg?v=1776420743"},{"product_id":"the-rolling-stones-sticky-fingers-6-26","title":"Sticky Fingers","description":"Rolling Stones - Sticky Fingers (Half Speed)","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845310029989,"sku":"602508773143","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/581aa1682ab58bcf218fb018ed8402bd_ddb7a7ad-621e-4050-a811-6391678b44f8.jpg?v=1777613283"},{"product_id":"iron-maiden-nights-of-the-dead-legacy-of-the-beast-live-in-mexico-city-11-20","title":"Nights of the Dead, Legacy of the Beast: Live in Mexico City","description":"Nights of the Dead, Legacy of the Beast: Live in Mexico City [11\/20] *","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845310095525,"sku":"4050538625707","price":48.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/bd45d7521ff2e37435db35c61707dff5_ba43311a-f79b-4ae1-a06d-dbc294a062b7.jpg?v=1777621140"},{"product_id":"black-sabbath-heaven-and-hell-3-5","title":"Heaven and Hell","description":"Black Sabbath: Ronnie James Dio (vocals); Tony Iommi (guitar); Geezer Butler (bass); Bill Ward (drums).\u003cbr\u003eAdditional personnel: Geoff Nicholls (keyboards).\u003cbr\u003eRecorded at Criteria Recording Studios, Miami, Florida and Studio Ferber, Paris, France.\u003cbr\u003eWhile Black Sabbath remained one of heavy metal's top concert draws throughout the late '70s, the band's albums of the era proved to not be on par with its earlier work. This creative weakness was what caused vocalist Ozzy Osbourne to split from the band in 1979 to launch a highly successful solo career. Sabbath used the opportunity to refocus its direction, eventually replacing the group's batty frontman with ex-Rainbow member Ronnie James Dio. The new line-up's first album, 1980's HEAVEN AND HELL, proved to be Black Sabbath's most successful (both commercially and artistically) in a long time. The opening number, \"Neon Knights,\" remains one of Sabbath's most ferocious, while \"Children of the Sea\" alternates between dark, brooding metal and a gentle melodicism that's stressed even further on \"Lady Evil\" and \"Die Young.\"","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845310128293,"sku":"603497850693","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/16ad83df54a066f563a3624a90aa709a_51a826a3-6201-4509-81ab-1274fb7e1bc0.jpg?v=1777582812"},{"product_id":"aerosmith-1971-the-road-starts-hear","title":"1971: The Road Starts Hear","description":"A special Record Store Day Black Friday release, 1971: The Road Starts Hear captures the budding superstars in their rehearsal room, just one year before signing to Columbia Records. Recorded by guitarist Joe Perry on his own tape recorder, the seven-song set, which was released only on vinyl and cassette, includes the future radio standard \"Dream On\" and features rare archival photos and liner notes. ~ James Christopher Monger","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845310259365,"sku":"602438308026","price":33.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/5e5a6a52cc664f214e8f1bc62cda9b57_dd52d366-2a8b-405d-9fdd-23c1a50b30b1.jpg?v=1777572010"},{"product_id":"blink-182-greatest-hits-3-11","title":"Greatest Hits","description":"In early 2005, SoCal pop-punk act Blink 182 announced that it was going on \"indefinite hiatus,\" and this 17-track retrospective followed later that year. 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Blink 182 really hit a winning streak when it gained the fierce drumming of Barker and the potent production of Jerry Finn, a point proven by the exuberant \"What's My Age Again?\" and the sing-songy anthem \"All the Small Things.\" Rounding out GREATEST HITS are two non-album songs, the propulsive \"Not Now\" and a solid cover of the Only Ones' \"Another Girl Another Planet,\" a tune used for Barker's own reality-TV show.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845310324901,"sku":"602435029641","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/43e707ffe237ec634f9749c7de8e71f1_92214bbd-9b8d-4ff5-a81d-61f1d3ebe51d.jpg?v=1778843917"},{"product_id":"pretenders-pretenders-40th-anniversary-edition-180g","title":"Pretenders","description":"","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845310357669,"sku":"190295165093","price":23.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/b7d4b8efe538a8d042c79cde0d6c4b03_0293811e-5c44-4223-aadf-7b41faa51c9e.jpg?v=1777569979"},{"product_id":"vol-3-the-subliminal-verses","title":"Vol. 3: The Subliminal Verses","description":"","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845310423205,"sku":"075678645730","price":37.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/fc5ac7202957a3d5ab1e20e093750c06_8fa894b2-89ec-4ba1-80a9-9dded0603e51.jpg?v=1780843089"},{"product_id":"led-zeppelin-led-zeppelin-remastered-lp","title":"Led Zeppelin","description":"Led Zeppelin: Robert Plant (vocals, harmonica); Jimmy Page (acoustic, electric, \u0026amp; pedal steel guitars, background vocals); John Paul Jones (organ, bass, background vocals); John Bonham (drums, tympani, background vocals).\u003cbr\u003eAdditional personnel: Viram Jasani (tablas).\u003cbr\u003eRecorded at Olympic Studios, London, England in October 1968.\u003cbr\u003eRising from the ashes of his old band the Yardbirds, session guitarist Jimmy Page formed Led Zeppelin, one of the most powerful, influential, and enduring British bands to emerge in the '60s. Despite the presence of such classic thrash-o-ramas as \"Good Times Bad Times\" and \"Communication Breakdown,\" what set Led Zeppelin apart was the depth and range of their music. Their sound was bathed in the blues, from rootsy covers of Willie Dixon's \"You Shook Me\" and \"I Can't Quit You Baby,\" to the crunching rhythm changes of \"Dazed And Confused.\"\u003cbr\u003eFew guitarists before or since possessed Page's sense of pacing and dynamics, as exemplified by the traditional acoustic folk elements framing the arena gestures on \"Babe I'm Gonna Leave You,\" and the raga-flavored acoustic mystery of \"Black Mountain Side.\" These elements would continue to evolve on subsequent albums, leading to some of Led Zeppelin's greatest moments.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845310587045,"sku":"081227966416","price":28.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/7d5225459a4ffd123dc5f4a33c939afd_f375914b-0680-4696-aa76-7a2bd7a9511e.jpg?v=1780487298"},{"product_id":"j-j-cale-naturally","title":"Naturally","description":"NATURALLY has stood up over the years as a perfect debut. When released in 1971, it introduced J.J. Cale's rootsy, laid back grooves to excellent effect, and in the decades since, this album and its follow-up, REALLY, have remained classics of mellow '70s country-rock. Riding on the success and easy blues feel of Eric Clapton's cover of Cale's \"After Midnight,\" NATURALLY goes even deeper into roots music, concocting a mixture of country, blues, and boogie that is full of downhome goodness while it drips with cool.\u003cbr\u003eCale's version of \"After Midnight\" is here, as is his loping \"Call Me the Breeze\" (later covered by Lynyrd Skynyrd), and the minimal blues \"Crazy Mama\" (a radio hit for Cale). The music is deceptively tricky--the surface textures pull you in like a porch swing, but the interlocking rhythmic base is full of subtle tugs and pulls that are far from standard-issue slow boogie. A sterling cast of players backs Cale, adding warm tones and light, in-the-cut rhythms. NATURALLY is a perfect introduction to the work of this influential cult figure.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845310685349,"sku":"600753356906","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/836830b13ed316557b48b8fe20b267cf_d4a69210-7bf5-4b81-8f6b-2b31b4cada2f.jpg?v=1780652607"},{"product_id":"television-marquee-moon-lp","title":"Marquee Moon [LP]","description":"Television: Tom Verlaine (vocals, guitar, keyboards); Richard Lloyd (guitar, background vocals); Fred Smith (bass, background vocals); Billy Ficca (drums).\u003cbr\u003eRecorded at A \u0026amp; R Studios, New York, New York. Originally released on Elektra (1098). Includes liner notes by Alan Licht.\u003cbr\u003eNew York's 1970s punk was markedly different to that of Britain. Rather than reject the past, American groups deconstructed its forms and rebuilt them with recourse to the music's strengths. Television's leader, Tom Verlaine, professed admiration for Moby Grape and the folk rock of early Fairport Convention. Elements of the latter appear on this album's title track, which offers a thrilling instrumental break, built upon a modal scale. Verlaine's shimmering guitar style provides the set's focus, but his angular compositions are always enthralling. A sense of brooding mystery envelops the proceedings, and Marquee Moon retains its standing as one of the era's pivotal releases.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845310718117,"sku":"081227971588","price":30.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/7e0b32f02bd2b6725e18d8bf5eff1add.jpg?v=1780487227"},{"product_id":"high-voltage","title":"High Voltage","description":"This is a Hyper CD, which contains regular audio tracks and also provides a link to the artist's website with the help of a web browser.\u003cbr\u003eAC\/DC: Bon Scott (voclas); Malcolm Young, Angus Young (guitar); Mark Evans (bass); Phil Rudd (drums).\u003cbr\u003eThe 2003 edition of HIGH VOLTAGE includes liner notes by Murray Engelheart.\u003cbr\u003eAll tracks have been digitally remastered.\u003cbr\u003eHIGH VOLTAGE was the first chance America had to glimpse the raw power of Australia's best hard rock outfit. From their earliest days, lead guitarist Angus Young, a spastic dwarf-like riff-monger who wore nothing but traditional schoolboy attire, led this band of hooligans with gleeful perversity and balls-out ambition. The group's intent is perfectly clear from the disc's opening power chords: to distill rock and mutate the blues down to its barest essentials in a pulverizing whomp. Riding over the top of the battering rhythm section is the all-too-true sneer of vocalist Bon Scott, who brings sexist anthems to a previously unachieved high (or low, depending on your reference point).\u003cbr\u003eWith over-the-top show-stoppers about gonorrhea (\"The Jack\"), HIGH VOLTAGE is not for the faint of heart. The single from this record, \"T.N.T,\" got AC\/DC into rock radio rotation and gave metal fans a template of the brand of molten lava the band would later weld into perfection. The formula for which the group would eventually become famous--songs based around three crunching power chords and the high-pitched squeal of a man who sounds like he's just been unleashed from the reformatory--is firmly established here.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860330094757,"sku":"696998020115","price":28.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/7373415dd794c04379e79d66fa11ad8b_6e0f9b4a-058d-483b-8cef-cbbfcf6ac20a.jpg?v=1779878556"},{"product_id":"nevermind-lp","title":"Nevermind [LP]","description":"Nirvana: Kurt Cobain (vocals, guitar); Chris Novoselic (vocals, bass); David Grohl (vocals, drums).\u003cbr\u003eAdditional personnel: Kirk Canning (cello).\u003cbr\u003eRecorded at Sound City, Van Nuys, California.\u003cbr\u003eNevermind was never meant to change the world, but you can never predict when the zeitgeist will hit, and Nirvana's second album turned out to be the place where alternative rock crashed into the mainstream. This wasn't entirely an accident, since Nirvana did release a record with a shiny surface, no matter how humongous the guitars sounded. For all the anguish on Nevermind, it's bracing because Kurt Cobain exorcizes his demons through evocative wordplay and mangled screams, and because the band has a tremendous, unbridled power that turns pain into pure catharsis. In retrospect, Nevermind may seem too unassuming for its mythic status -- it's simply a great modern punk record -- but though it may no longer seem life-changing, it is certainly life-affirming, which may just be better. ~ Stephen Thomas Erlewine","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860330225829,"sku":"720642442517","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/9fb5719e54c73fab182542abd4847a52_75c2a2ee-b3ae-448f-abe6-4cab9a0784c7.jpg?v=1780399812"},{"product_id":"absolution-usa-version","title":"Absolution","description":"","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860330258597,"sku":"825646909445","price":41.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/209527b71fd173b733f1ce802ec10dff_4cf31754-2c0f-44bf-986e-b3ebbf249407.jpg?v=1780652458"},{"product_id":"louder-than-bombs","title":"Louder Than Bombs","description":"The Smiths: Stephen Patrick Morrissey (vocals); Johnny Marr (guitar, mandolin, harmonica, piano, harmonium); Andy Rourke (cello, bass); Mike Joyce (drums).\u003cbr\u003eAdditional personnel: Craig Gannon (guitar); Kristy MacColl (background vocals).\u003cbr\u003eProducers: The Smiths, Stephen Street, John Porter, Roger Pusey.\u003cbr\u003eLOUDER THAN BOMBS contains 24 songs, including 12 from the UK compilation of B-sides and singles THE WORLD WON'T LISTEN.\u003cbr\u003e2 LPs on 1 CD.\u003cbr\u003eCompiled mostly from tracks on the two UK releases HATFUL OF HOLLOW and THE WORLD WON'T LISTEN, LOUDER THAN BOMBS is one of the best examples of the recorded genius of the Smiths. While the band's album releases were always anxiously awaited and well received, their most enduring gems could often be found on their singles.\u003cbr\u003eThe Smiths took full advantage of the then-popular 12\" single format, usually including non-album tracks on their B-sides, and this 24 track CD includes the most interesting examples of these. Numerous standout moments include \"Ask,\" \"Half A Person,\" \"Shoplifters of the World Unite,\" \"Panic,\" \"William It Was Really Nothing,\" \"Sheila Take A Bow,\" and \"Stretch Out and Wait.\" An essential addition to any Smiths completist's collection.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860330356901,"sku":"825646658770","price":43.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/900fc4d640e476de7abaccac4e26f08a.jpg?v=1780225987"},{"product_id":"make-yourself","title":"Make Yourself","description":"Incubus: Brandon Boyd, Mike Einziger, Jose Pasillas II, DJ Kilmore, Dirk Lance.\u003cbr\u003eAdditional personnel: Dave Holdridge (cello); Cut Chemist. Nu-Mark (scratches).\u003cbr\u003eTake the apocalyptic, electronics-tinged riff-rock of bands like Korn. Subtract the fratboy sensibility and the Red Hot Chili Peppers-derived hip-hop rhythms. Add a sophisticated sense of melody and harmony, a more optimistic lyrical outlook, and a sense of dynamics. You've essentially got the Incubus sound. Incubus practices the kind of rapid intra-song mood shifts that were Nirvana's trademark, but instead of merely going from soft to loud and back, they change stylistically, switching from full-on hard rock to almost jangly, low-key alt-rock. The resultant sound should appeal to fans of both styles. The tasteful application of electronic effects updates the feel of MAKE YOURSELF nicely. There's plenty of teeth-gnashing and shrieking angst to be found in the lyrics, but there's hopefulness and pop-friendly catchiness as well. In the world of late-'90s radio rock, Incubus seems capable of being all things to all people.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860330389669,"sku":"8718469532124","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/0b48e1fef7373bbaa17fae730957a8d6_c45dc3e8-33ca-4b15-a387-973a57620c9d.jpg?v=1775642026"},{"product_id":"light-grenades","title":"Light Grenades","description":"A long-awaited break from an aggressive touring cycle afforded Incubus the freedom to hone a set of material that fully realized the band's ever-developing musical vision. Light years from the novelty turntable scratching and rap-rock angst that marked their earlier works, LIGHT GRENADES is an arty and diverse affair. The bass-heavy prog leanings of 2004's A CROW LEFT OF THE MURDER are replaced by a much more meat-and-potatoes rock approach that has become quintessential Incubus.\u003cbr\u003eThe album opens with \"Quicksand\" and sets a crouching-to-pounce tone, only to launch into the bombastic riffing of \"A Kiss To Send Us Off.\" Leadoff single \"Anna Molly\" drives with tension and urgency, while the group channels Prince on \"Diamonds And Coal.\" LIGHT GRENADES offers up a fair number of ballads, standouts being \"Love Hurts\" and \"Dig.\" In the interests of dramatic extremes, the fiercely punky title track works climactically, while the two parts of \"Earth To Bella\" act as a midpoint and denouement for a solid effort.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860330455205,"sku":"8718469532155","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/0fe90f4101d505d0f7e35fdba59121fd_a608d83d-a748-4a35-8c20-91b7268ee93f.jpg?v=1777756703"},{"product_id":"in-rainbows-180-gram-vinyl","title":"In Rainbows [180 Gram Vinyl]","description":"Initially issued in October 2007 with little prior notice, Radiohead's seventh full-length studio outing, IN RAINBOWS, took not only fans but the entire music industry by surprise. Released for a limited time only as an online download, the album was offered by the revered British rock group in a groundbreaking \"pay what you want\" format, allowing the listener to decide its digital value before an appearance in conventional CD form a few months later.\u003cbr\u003eInnovative business practices aside, IN RAINBOWS also garnered attention as Radiohead's most immediately engaging offering since its BENDS\/OK COMPUTER days, returning to slightly more accessible pop\/rock song structures, while never abandoning the arty experimentalism of subsequent albums. From the shuffling beats of \"15 Step\" to the amped-up energy of \"Bodysnatchers\" to the glorious gloom of \"Videotape,\" RAINBOWS presents the full spectrum of Radiohead's artistry, while deftly avoiding vocal melodramatics or excessive technical noodling. When the record hits its peak with the restlessly beautiful \"Weird Fishes\/Arpeggi\" and the emotive, keyboard-driven \"All I Need,\" it's a thrilling reminder of why Thom Yorke, Jonny Greenwood, and the lads are one of the best bands on the planet, and it solidifies IN RAINBOWS as an indisputably great Radiohead album.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860330651813,"sku":"634904032418","price":36.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/1fcd3cf66f388f39f55731e3c7930a9f.jpg?v=1779190272"},{"product_id":"yellow-submarine-180-gram-vinyl","title":"Yellow Submarine [180-Gram Vinyl]","description":"The Beatles: John Lennon (vocals, guitar, keyboards); Paul McCartney (vocals, guitar, bass); George Harrison (vocals, guitar); Ringo Starr (vocals, drums).\u003cbr\u003eStarting out as a sing-a-long vehicle for Ringo Starr on REVOLVER, \"Yellow Submarine\" became the inspiration for the 1968 animated feature film of the same name. Most of the soundtrack was composed and orchestrated by George Martin, but the remaining six songs were far from being Beatle cast-offs. George Harrison's two contributions, \"Only A Northern Song\" and \"It's All Too Much\" mark the adventurously experimental phase the Beatles were in at that time and dabble in woozy psychedelic shadings laced with orchestrations that continued to influence cutting-edge pop artists for decades to come. Along with the aforementioned \"Yellow Submarine,\" other Lennon\/McCartney compositions include the good-time, skiffle-flavored \"All Together Now,\" the Lennon-driven rocker \"Hey Bulldog,\" and \"All You Need Is Love\"--the unofficial flower-power anthem.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860330750117,"sku":"094638246718","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/b080cc024465b362048a38670ebffc5f.jpg?v=1777730220"},{"product_id":"until-in-excess-imperceptible-ufo","title":"Until in Excess, Imperceptible UFO","description":"Begun in 2011 at the Montreal dream pop act's own Breakglass Studios, Until in Excess, Imperceptible UFO is the Besnard Lakes' fourth full-length and keeps to their habit of releasing a dense, lovingly crafted album awash with crunching guitars and hazy strings every three to four years. Led and formed by the husband\/wife duo of Jace Lasek and Olga Goreas, it's clear that Breakglass is the key instrument when defining the Besnards' sound. While 2007's The Besnard Lakes Are the Dark Horse was a step up both sonically and commercially from their Smashing Pumpkins-influenced low-key 2004 debut, Vol. 1, each subsequent release has in turn seen the band steadily broaden its palette. Released in 2010, the aptly titled The Besnard Lakes Are the Roaring Night saw them accentuate both their progressive and soft rock sensibilities, and these are most certainly retained for Until in Excess, Imperceptible UFO. The band has classified writing and recording as being much the same process for quite some time, an approach that sets its indie rock apart from the many \"verse\/chorus\/verse\" worshiping acts that pervade the field. Although the dramatic \"People of the Sticks\" is the closest thing to a traditionally structured track on this release, even at the point when the verse edges into a chorus, it feels like you're listening to a subtle and natural mood change. While it could easily have sat on the revered Roaring Night, it's the material here such as \"And Her Eyes Were Painted Gold\" and \"Catalina\" that effectively hints at a new chapter for the band. Both betray a foggier take on that string-laden, psychedelic stage musical sound that Dave Fridmann found for Mercury Rev in the late '90s. Elsewhere, \"46 Satires\" -- the beautiful and pulsing Spiritualized-nod that opens the album -- floats from section to section before presenting a tastefully brief, but blistering, guitar solo from Lasek and eventually drifting into an almost gospel-like coda. While Goreas' father sadly passed away during the sessions for this album, you can't help but think that she has him in mind when tenderly ending the song with the line \"Three rainbows arched over the valley where you lay.\" There is also a sense of reassurance and understanding from her husband that permeates the ghostly, Beach Boys-inspired track \"The Specter.\" Here, when Lasek sings the equally tender refrain \"Close your eyes,\" he invokes the same sentiment as the classic Wilson\/Asher composition \"Don't Talk (Put Your Head on My Shoulder).\" Touching moments such as these can be found across the album, offering a glimpse of pure heartfelt emotion that was sometimes lost amongst the abstract imagery of spies and soldiers that dominated previous albums. All in all, UFO is another valuable addition to their canon, completed with skill and affection in equal measure. ~ James Wilkinson","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860330815653,"sku":"656605220710","price":30.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/608a748a22fbc66ff9e0cdebb3b75b5b_afc0f114-5f64-42e4-bbee-494e5c6d0fbc.jpg?v=1777638713"},{"product_id":"past-masters-remastered","title":"Past Masters Vol. 1 \u0026 2","description":"The Beatles: John Lennon (vocals, acoustic \u0026amp; electric guitars, percussion, sound effects); Paul McCartney (vocals, piano, bass, drums, maracas, sound effects); George Harrison (vocals, guitar); Ringo Starr (vocals, drums).\u003cbr\u003eAdditional personnel includes: Brian Jones (saxophone); Nicky Hopkins (piano); Billy Preston (organ); Mal Evans (sound effects).\u003cbr\u003eCompilation producer: Mark Lewisohn.\u003cbr\u003eRecorded between September 4, 1962 and January 4, 1970.\u003cbr\u003eTracks 1-5, 8-9 and 33 are mono. Tracks 6-7, 10-32 are stereo.\u003cbr\u003ePAST MASTERS is a compilation of singles, B-sides and other tracks that did not appear on the Beatles' original British albums. The Beatles as a general rule did not include their singles on their albums in the UK.\u003cbr\u003ePAST MASTERS VOLUME ONE and PAST MASTERS VOLUME TWO are available individually on CD on Parlophone. VOLUME ONE is Parlophone 90043, VOLUME TWO is Parlophone 90044. See individual albums for further details.\u003cbr\u003eWhen Capitol decided to release the original British editions of the Beatles' albums instead of the bastardized American versions, they were left with a bit of a quandary. Since the Beatles had an enormous number of non-LP singles, some of their greatest hits -- from \"I Want to Hold Your Hand\" through \"Hey Jude\" -- would not be included on disc if Capitol simply served up straight reissues. They had two options: they could add the singles as bonus tracks to the appropriate CDs, or they could release a compilation of all the non-LP tracks. It should come as no surprise that they chose the latter. Over its first half, Past Masters captures the exuberance of Beatlemania while confirming the band's talents as popcraftsmen (\"This Boy,\" \"Yes It Is\") and proving that they could rock really, really hard (\"I Feel Fine,\" \"She's a Woman,\" the peerless \"I'm Down\"). From 1965 on, the 15 non-LP tracks released in the last five years of the band's career (not counting the singles that were released on Magical Mystery Tour) may not be as thematically consistent, but they hit greater highs with a greater frequency. Indeed, some of the greatest singles in pop history are here: \"Day Tripper,\" \"We Can Work It Out,\" \"Paperback Writer,\" \"Rain,\" \"Lady Madonna,\" \"Hey Jude,\" \"Revolution,\" \"Don't Let Me Down,\" and \"The Ballad of John and Yoko.\" In the middle of all this, single versions of \"Get Back\" and \"Let It Be\" appear (the former is stiffer than the LP version, the latter is better than its counterpart), along with the alternate (and superior) \"Across the Universe\" and the silly yet strangely irresistible \"You Know My Name (Look Up the Number).\" Apart from a few cuts that are merely rarities, this is a near-perfect compilation that captures the energy and spirit of the Beatles' entire career. ~ Stephen Thomas Erlewine","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860330913957,"sku":"5099969943515","price":47.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/1981601a111cecc3f340f0091fbacd56.jpg?v=1780829404"},{"product_id":"lady-soul","title":"Lady Soul","description":"Personnel: Aretha Franklin (vocals, piano); Ralph Burns (conductor); Jimmy Johnson (guitar); Frank Wess (flute, tenor saxophone); Seldon Powell (tenor saxophone); Haywood Henry (baritone saxophone); Mel Lastie, Joe Newman, Bernie Glow (trumpet); Tony Studd (bass trombone); Spooner Oldham (piano, electric piano, organ); Warren Smith (vibraphone); Tommy Cogbill (bass); Roger Hawkins, Gene Chrisman (drums); Cissy Houston, Carolyn Franklin, Erma Franklin, Ellie Greenwich (background vocals).\u003cbr\u003eRecorded at Atlantic Recording Studios, New York between February 16 and December 20, 1967.\u003cbr\u003eIncludes liner notes by David Nathan and original release liner notes by Jon Landau.\u003cbr\u003eAretha's Franklin's position as soul music's premier female vocalist was consolidated by this album. Her strident reading of Don Covay's 'Chain Of Fools' set the tone for a collection on which the singer unveiled several stellar original compositions and reinterpreted a batch of classic songs. Franklin's gospel roots were clearly displayed on the anthem-like 'People Get Ready' while her interpretation of 'Natural Woman' showed both vulnerable and assertive qualities. Lady Soul captures a performer at the peak of her power, restating her ability to take material and make it uniquely her own.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860330946725,"sku":"081227971632","price":25.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/d931ad8ed7ae26690efe486cca0bf1a6_aa16e8db-1e4a-4ad4-bf45-bbdd9ff5b559.jpg?v=1778068457"},{"product_id":"sunday-at-the-village-vanguard","title":"Sunday at the Village Vanguard","description":"Bill Evans Trio: Bill Evans (piano); Scott LaFaro (bass); Paul Motian (drums).\u003cbr\u003eRecorded live at The Village Vanguard, New York, New York on June 25, 1961.\u003cbr\u003eJazz pianist Bill Evans began a quiet revolution in the early 1960s. Before Evans, jazz piano trios spotlighted the pianist while the others essentially accompanied him or her. Evans envisioned a trio where all three musicians were on an equal footing, where they'd truly interact. SUNDAY AT THE VILLAGE VANGUARD, recorded live in 1961, captures the original Bill Evans Trio at its peak. Drummer Paul Motian plays with grace, subtlety, and restraint that are equal to Evans's, and bassist Scott LaFaro (who also played with Ornette Coleman) has a rapport with the others that seems telepathic. Evans absorbed the bebop approach to the keys but also took inspiration from the suave pianism of Nat \"King\" Cole and 20th-century classical Impressionism. SUNDAY is piano trio jazz that's executed so beautifully one might not notice how complex it really is.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860331110565,"sku":"8436028699919","price":23.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/26c647b537111dfbd7c27dcaccddd427.jpg?v=1780654339"},{"product_id":"the-velvet-underground-nico-lp","title":"The Velvet Underground \u0026 Nico [LP]","description":"The Velvet Underground: Lou Reed (vocals, guitar, piano); Doug Yule (vocals, organ, bass); Maureen Tucker (vocals, percussion); Sterling Morrison (guitar, background vocals).\u003cbr\u003eOriginally released on MGM (4617).\u003cbr\u003eVelvet Underground \u0026amp; Nico: Lou Reed (vocals, guitar); Nico (vocals); Sterling Morrison (guitar, bass, background vocals); John Cale (electric viola, piano, bass, background vocals); Maureen Tucker (percussion, background vocals).\u003cbr\u003eRecorded at T.T.G. Studios, Hollywood California; Sceptor Studios and Mayfair Sound Studios, New York, New York in April \u0026amp; November 1966 \u0026amp; April-May 1967. Originally released on Verve (5008).\u003cbr\u003eBrian Eno once said that only a hundred people bought Velvet Underground records when they first came out, but those hundred people all went out and formed their own bands. The rest, of course, is history; the Velvet Underground was the catalyst that helped spark punk rock, and began the growth of an alternative branch within rock and roll's grand family tree. VU's was an unparalleled glimpse into the Summer Of Love's alter ego, complete with graphic, unapologetic descriptions of intravenous drug-use and risque sexual situations. Their 1967 debut, VELVET UNDERGROUND \u0026amp; NICO, was a tour de force that may never be equaled for its sheer radicalism in the face of rock convention.\u003cbr\u003eThe Velvet Underground also mapped out unconquered sonic territories. Bassist John Cale was weaned on deconstructing classical theory--the perfect avant-garde foil to help bring Reed's terse songs to life. Even more noticeable when he would switch to electric viola, Cale's sound evoked the terror of Reed's compositions, with the bowed strings screeching like a runaway subway car. Drummer Maureen Tucker played like no one before her. Her frantic swipes could mimic a galloping rush in \"Heroin,\" or work with the delicate, hesitant charm of \"All Tomorrow's Parties.\" Guitarist Sterling Morrison was a master of his craft, ably switching from oddly Middle-Eastern plucking (the eerie \"All Tomorrow's Parties\") to head-on rock (the ultra-edgy \"Waiting For The Man\"), always adding just the right element to fatten the cacophony. VELVET UNDERGROUND \u0026amp; NICO is one of rock's most significant debuts.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860331208869,"sku":"8013252900051","price":36.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/e9875f70938f2a2ef403e60d3ba735bd_1e9f707f-4a64-4af8-8d75-2bce2df58cc8.jpg?v=1777727237"},{"product_id":"like-a-prayer","title":"Like a Prayer","description":"Personnel: Madonna (vocals, keyboards); Chester Kamen, David Williams, Dann Huff, Bruce Gaitsch, Marcos Loya (guitar); Larry Corbett (cello); Patrick Leonard, Jai Winding, Stephen Bray, Geary Lanier (keyboards); Joseph Mayer, Richard Todd (French horn); Guy Pratt, Randy Jackson (bass); Jonathan Moffett, Jeff Porcaro, John Robinson (drums); Luis Conte, Paulinho da Costa, Sandra Crouch (percussion); Niki Harris, Marilyn Martin, Donna Delory, Ali Nadirah, Lynne Fiddmont, Rose Banks, Marcos Loya, Andrae Crouch Choir (background vocals).\u003cbr\u003eProducers: Madonna, Pat Leonard, Stephen Bray, Prince.\u003cbr\u003eRecorded at Johnny Yuma Recording, Burbank, California; Saturn Sound, Sherman Oaks, California; Ocean Way Recording, Los Angeles, California; Paisley Park Studios, Chanhassen, Minnesota.\u003cbr\u003eMadonna's exquisite sense of the pop song, and suitably stylish aesthetic to match, was pushed to the hilt for 1989's LIKE A PRAYER. Sporting a bare midriff and a stylishly dark bob, she immediately set the Moral Majority up in arms with the title track's video, depicting, among other things, a black Christ and a hillside of burning crosses. The song, however, was as strong and as dazzling as the images. Before deciding on utilizing a constant barrage of public sexuality over songs, Madonna made great records. Highlights here include the sexy bubble-gum of \"Cherish\" and the delightful \"Express Yourself.\" Great pop to go.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860331307173,"sku":"081227973575","price":25.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/10fa0555eba76804608d929cad3a54d4_36e6de3b-b0e5-4cc3-8b0b-72a224514456.jpg?v=1777711426"},{"product_id":"bon-iver","title":"Bon Iver","description":"After making his debut with a collection of hushed, intimate folk songs recorded in a cabin, Bon Iver stretched his artistic legs by collaborating with Kanye West and experimenting with Auto-Tune on a 2009 EP. Released two years later, this sophomore album continues those changes by turning its back on the hushed sound of For Emma, Forever Ago. In its place are dense arrangements and orchestral instruments.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860331765925,"sku":"656605213514","price":28.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/4782db0974eebe5051b99f1589921f73_4c296e02-2e0f-4c5a-943b-321edb1e1444.jpg?v=1780141448"},{"product_id":"raw-power-lp","title":"Raw Power [LP]","description":"Though the Stooges were on the verge of breaking up at the time RAW POWER was recorded, it still comes across as (arguably) their most focused and powerful release. Former guitarist Ron Ashton was moved to bass and replaced by James Williamson, whose precise, razory playing makes RAW POWER the Stooges' most guitar-driven album. Scott Ashton drums up a storm, and Iggy yowls, yelps, drawls, and croons with a sense of menace that is both exhilarating and frightening. Though the album retains the reckless urgency and noise-happy chaos that defined FUN HOUSE, it strips away the swampy murk of that album with its trebly, metallic production.\u003cbr\u003eThe songs work sexy, primal grooves (\"I Need Somebody\"), hopped-up boogie (\"Shake Appeal\"), reworked, adrenaline-pumped early rock \u0026amp; roll (the title track), and creeping, whisper-fueled come-ons (\"Penetration\"). The album's two best tracks, the spastic, take-no-prisoners danger anthem \"Search and Destroy, \" and the minor key, Doors-influenced \"Gimme Danger\" bristle with energy and the kind of sleazy, libidinous glamour that keep the true heart of rock thudding furiously. Aptly named, RAW POWER was the Stooges' third and final album, putting the cap on their small but hugely influential discography. A rock essential.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860331929765,"sku":"886919593518","price":33.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/5c0fc7e4ae74e0f45abd526bc63bb23a.jpg?v=1768794864"},{"product_id":"born-to-die-lp","title":"Born to Die [LP]","description":"The much-anticipated full-length debut from husky, internet savvy singer\/songwriter Lana Del Ray featured 12 cuts, including the self-described \"Gangsta Nancy Sinatra\"'s omnipresent 2010 hit \"Video Games.\" Born to Die drops January 27, 2012 on Interscope.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860332159141,"sku":"602527950891","price":35.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/48e965a4a0f34319e1dd9ef79f218998_35af0c33-e24c-4287-8291-d34d8f5fceac.jpg?v=1778164720"},{"product_id":"gridshifter","title":"Gridshifter","description":"","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860332290213,"sku":"9120020389730","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/94ca65c4f32b35605253fcfebe9eda3a_29f5a94f-ba0f-4ec2-87e6-298230c39ee3.jpg?v=1779653897"},{"product_id":"ceremonials-lp","title":"Ceremonials [LP]","description":"There's a point just past the halfway mark on \"Shake It Out,\" the rousing first single from Florence + the Machine's second studio release, when the swelling guitars, organs, and strings, staccato percussion, and Florence Welch's air-raid siren of a voice lock up in a herculean battle over which one is going to launch itself into the stratosphere first. It's a contest that plays out at least once on each of Ceremonials' immaculately produced 12 tracks. Such carefully calculated moments of rhapsody would dissolve into redundant treacle in less capable hands, but Welch does emotional bombast better than any of her contemporaries, and when she wails into the black abyss above, the listener can't help but return the call. Bigger and bolder than 2009's excellent Lungs, Ceremonials rolls in like fog over the Thames, doling out a heavy-handed mix of Brit-pop-infused neo-soul anthems and lush, movie trailer-ready ballads that fuse the bluesy, electro-despair of Adele with the ornate, gothic melodrama of Kate Bush and Floodland-era Sisters of Mercy. Producer Paul Epworth (Bloc Party, Friendly Fires) knows that the fiercest weapon in his arsenal is Florence herself, and he stacks her vocals accordingly, creating a fevered, pagan gospel choir on \"What the Water Gave Me\" and \"Leave My Body,\" a ghostly, Phil Spector-ish chorale on the surprisingly Beatlesque \"Breaking Down,\" and a defiant, uplifting horde of merry pranksters on the spirited \"Heartlines,\" resulting in that rare sophomore outing that not only manages to avoid the slump, but bests its predecessor in the process. ~ James Christopher Monger","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860332322981,"sku":"602527847900","price":45.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/f1a1191a56d9d36e5efc5335c1433e62.jpg?v=1780830092"},{"product_id":"favourite-worst-nightmare","title":"Favourite Worst Nightmare","description":"On 2007's FAVOURITE WORST NIGHTMARE, Arctic Monkeys follow up their excessively hyped and undeniably catchy debut (WHATEVER PEOPLE SAY I AM, THAT'S WHAT I'M NOT) with another round of fiery post-punk-influenced tunes. Given the Sheffield, England quartet's newfound status as full-blown rock stars in their homeland, they wisely avoid the working-class-bloke-isms that rang true on their first album, and instead opt for a broader lyrical scope and a significantly weightier approach.\u003cbr\u003eThe Monkeys' Mark II aesthetic is best embodied by the lead single \"Brianstorm,\" a pounding track (about a friend, hence the deliberate misspelling) that kicks off the outing with rapid-fire guitar riffs and pummeling percussion. NIGHTMARE also finds the band looking good on the dancefloor with songs such as \"Teddy Picker\" and \"D Is for Dangerous,\" which combine inescapably funky rhythms with frontman Alex Turner's raspy howl. To his credit, Turner turns his Yorkshire-accented voice into a comforting croon on the surprisingly atmospheric \"Only Ones Who Know,\" imbuing the record with the dynamism that was somewhat lacking on WHATEVER. A sure sign that the Monkeys aren't fading away after their big bang, FAVOURITE WORST NIGHTMARE is the sound of a tough young band playing for keeps.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860332388517,"sku":"093624945796","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/59791a43df4a94e90515545dfb1222d0.jpg?v=1777764939"},{"product_id":"thriller-25th-anniversary-edition-lp-remaster","title":"Thriller [25th Anniversary Edition LP]","description":"Personnel includes: Michael Jackson (vocals, percussion); Paul McCartney (vocals); Vincent Price (spoken vocals); Steve Lukather (guitar, bass); Eddie Van Halen, Dean Parks, Paul Jackson (guitar); Larry Williams (flute, saxophone); Jerry Hey (trumpet, flugelhorn); Bill Reichenbach (trombone); David Paich (piano, synthesizer); Greg Phillinganes (Fender Rhodes piano, synthesizer, programming); Steve Porcaro (synthesizer, programming); David Foster, Rod Temperton (synthesizer); Tom Bahler (Synclavier); Louis Johnson (bass); Ndugu Chancler, Jeff Porcaro (drums); Paulinho Da Costa (percussion); Brian Banks (programming); LaToya Jackson, Julia Waters, Maxine Waters, Oren Waters, Becky Lopez, Janet Jackson (background vocals).\u003cbr\u003ePrincipally recorded at Westlake Audio, Los Angeles, California.\u003cbr\u003eThe finest example of perfect disco pop, and a record that should be prescribed to musical snobs and manic depressives. The album is a true ambassador of what pop music can be. Jackson whoops and dances through a suite of unforgettable melodies that should be danced to with a smile on your face. Each track offers at least one musical hook, whether it is the beauty of 'Human Nature' (who can resist the 'dada dada da da da') or the 'whoo whoo' of 'Billie Jean'. It's all too good.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860332748965,"sku":"886972334417","price":37.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/d1e11800f68e7edf90b6c5afb3550c43_afaff9a3-02ff-4ac7-8a78-155327d59ac2.jpg?v=1779540602"},{"product_id":"remixes-single","title":"Remixes","description":"","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860431511717,"sku":"5021392947266","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/3c3638fa1fb7b4c66a86eb7986db0f91_092aae7e-38c8-4bc7-96e5-2d6ca2ac572b.jpg?v=1777745335"},{"product_id":"girl-u-so-strong-single","title":"Girl U So Strong","description":"","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860434231461,"sku":"5055869500067","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/edfc568d65ea1b3bd615d4e59fa40a69_faf2d73e-e649-4320-aa8c-a5c0f4091325.jpg?v=1777747295"},{"product_id":"wrapped-in-red","title":"Wrapped in Red","description":"If American Idols are ready for anything, it's that industry standard, the Christmas album. It is to Kelly Clarkson's credit that she waited a decade to deliver a seasonal platter, but 2013's Wrapped in Red is worth the wait; a testament to her confidence as an interpreter. Generally, the 14 songs here emphasize Clarkson's skills as a full-throated diva -- the arrangements are bold and brassy, as is her delivery -- but when the tempo slows and the arrangements scale back, she's perhaps even more alluring, turning \"Blue Christmas\" into a sweet fireside crawl and effortlessly overshadowing the overmatched Ronnie Dunn on \"Baby It's Cold Outside.\" Clarkson's selections favor the bold -- there aren't many carols here, these are primarily secular holiday tunes, and she doesn't resist Vegas glitz, giving \"My Favorite Things\" a bit of a gaudy makeover -- but she fares well in this setting, always sounding like the strongest element in the mix. Perhaps the concept and execution are conventional, but even in this utterly expected setting, Clarkson retains her fiery, individual spirit, and that's what makes Wrapped in Red appealing: to the letter, it delivers what it promises. ~ Stephen Thomas Erlewine","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860434329765,"sku":"888430006812","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/a224e896d8e3db2ab38c75651853f113_4caa1a8f-b0d6-4112-9900-00435180409b.jpg?v=1777976319"}],"url":"https:\/\/www.innersleeve.com\/en-gb\/collections\/back-in-stock.oembed?page=45","provider":"InnerSleeve","version":"1.0","type":"link"}