{"product_id":"street-legal","title":"Street Legal","description":"Personnel: Bob Dylan (vocals, guitar); Steven Soles (guitar, background vocals); Billy Cross (guitar); David Mansfield (mandolin, violin); Steve Douglas (soprano \u0026amp; tenor saxophones); Steve Madaio (trumpet); Alan Pasqua (keyboards); Jerry Scheff (bass); Jan Wallace (drums); Bobbye Hall (percussion); Carolyn Dennis, Jo Ann Harris, Helena Springs (background vocals).\u003cbr\u003eRecorded at Rundown Studios, Santa Monica, California.\u003cbr\u003eDylan's last pre-Christianity batch of tunes, STREET LEGAL achieves a comfortable balance between the staid professionalism of the same year's live recording AT BUDOKAN and the rough-and-ready aesthetic of previous albums like DESIRE. As was often the case in his post-BLOOD ON THE TRACKS records, some of the most effective tunes on STREET LEGAL are those that he seems to have labored over least. A good example is the way the simple 12-bar blues of \"New Pony\" eclipses the more elaborately constructed opener \"Changing of the Guards.\"\u003cbr\u003eNaturally, that's not to say Dylan's vaunted wordplay had hit a valley on STREET LEGAL. Anyone who can rhyme \"where we're headin'\" with \"Armageddon,\" as he does on \"Senor (Tales of Yankee Power),\" plainly has more than a few lyrical tricks left up his sleeve. Those searching for subtext in the tunes here may note the evidence of a spiritual turmoil that would soon lead to Dylan's theological metamorphosis.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41896639791269,"sku":"190759073018","price":23.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/b74d037caa5e46f038efb1a98dd3b117.jpg?v=1777637613","url":"https:\/\/www.innersleeve.com\/en-fr\/products\/street-legal","provider":"InnerSleeve","version":"1.0","type":"link"}