{"title":"Featured Vinyl","description":"","products":[{"product_id":"pink-floyd-wish-you-were-here-lp","title":"Wish You Were Here [LP]","description":"Pink Floyd Wish You Were Here [LP]","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41845309505701,"sku":"888751842618","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/7da51f65c9058a70c24d88eae59f3d84_7e781a51-480f-484d-803f-67799fbf6505.jpg?v=1778935398"},{"product_id":"hard-days-night-lp","title":"Hard Day's Night [LP]","description":"Considering the quality of the original material on With the Beatles, it shouldn't have been a surprise that Lennon \u0026amp; McCartney decided to devote their third album to all-original material. Nevertheless, that decision still impresses, not only because the album is so strong, but because it was written and recorded at a time when the Beatles were constantly touring, giving regular BBC concerts, appearing on television and releasing non-LP singles and EPs, as well as filming their first motion picture. In that context, the achievement of A Hard Day's Night is all the more astounding. Not only was the record the de facto soundtrack for their movie, not only was it filled with nothing but Lennon-McCartney originals, but it found the Beatles truly coming into their own as a band by performing a uniformly excellent set of songs. All of the disparate influences on their first two albums had coalesced into a bright, joyous, original sound filled with ringing guitars and irresistible melodies. They had certainly found their musical voice before, but A Hard Day's Night is where it became mythical. In just a few years, they made more adventurous and accomplished albums, but this is the sound of Beatlemania in all of its giddy glory -- for better and for worse, this is the definitive Beatles album, the one every group throughout the ages has used as a blueprint. Listening to the album, it's easy to see why. Decades after its original release, A Hard Day's Night's punchy blend of propulsive rhythms, jangly guitars, and infectious, singalong melodies is remarkably fresh. There's something intrinsically exciting in the sound of the album itself, something to keep the record vital years after it was recorded. Even more impressive are the songs themselves. Not only are the melodies forceful and memorable, but Lennon and McCartney have found a number of variations to their basic Merseybeat style, from the brash \"Can't Buy Me Love\" and \"Any Time at All,\" through the gentle \"If I Fell,\" to the tough folk-rock of \"I'll Cry Instead.\" It's possible to hear both songwriters develop their own distinctive voices on the album, but overall, A Hard Day's Night stands as a testament to their collaborative powers -- never again did they write together so well or so easily, choosing to pursue their own routes. John and Paul must have known how strong the material is -- they threw the pleasant trifle \"I'm Happy Just to Dance with You\" to George and didn't give anything to Ringo to sing. That may have been a little selfish, but it hardly hurts the album, since everything on the record is performed with genuine glee and excitement. It's the pinnacle of their early years. ~ Stephen Thomas Erlewine","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860331012261,"sku":"094638241317","price":31.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/0ce71ffc78464e829253438b379ad38e_003be70b-47b2-444d-b5c8-6696fa5c3ee7.jpg?v=1777756982"},{"product_id":"timeless-the-all-time-greatest-hits","title":"Timeless: The All-Time Greatest Hits","description":"TIMELESS-THE ALL-TIME GREATEST HITS (2LP)","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860435804325,"sku":"602567804574","price":37.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/4fdac8c2f166ee49f6d55c14eb1005dd_844b1734-7ce8-4323-b480-1447dfbe17fd.jpg?v=1771419987"},{"product_id":"the-kick-inside","title":"Kick Inside","description":"THE KICK INSIDE (2018 REMASTER)","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860442128549,"sku":"190295593919","price":25.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/d44d62cd0b0d9cfbf1d3b89453f26785_be1c16e2-342c-48a1-bd10-ae78554c27af.jpg?v=1779444024"},{"product_id":"ta13oo","title":"TA13OO","description":"On his third official full-length, TA13OO, Florida rapper Denzel Curry took a big step into the majors with conceptual depth and expanded artistry. Incorporating varied delivery and production, TA13OO taps into his established style that combines aggressive trap with rapid-fire bars, while also adding smoothed-out hip-hop atmosphere and patient vocal restraint. The album is split into three sections -- Light, Gray, and Dark -- and delves into introspective self-examination and unflinching social commentary that tackles politics, sexual abuse, and mental health. In addition to appearances by Goldlink and J.I.D., the set also features singles \"Percs,\" \"Sumo,\" and \"Clout Cobain,\" as well as additional highlights \"Black Balloons\" and \"Sirens.\" Upon release, TA13OO became Curry's first effort to chart, entering the Billboard 200 at number 28. ~ Neil Z. Yeung","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41860466639013,"sku":"888072056350","price":22.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/8fa4ec52423abae573249f256d63dce9.jpg?v=1777670417"},{"product_id":"songs-in-the-key-of-life-1","title":"Songs in the Key of Life","description":"Aired on VH-1 and PBS, the video of SONGS IN THE KEY OF LIFE includes new interviews, performances, and additional footage not previously seen.\u003cbr\u003ePersonnel includes: Stevie Wonder (vocals, harmonica, piano, keyboards); George Benson (guitar, background vocals); Michael Sembello (guitar); Peter Kleinow (steel guitar); Dorothy Ashby (harp); Bobbi Humphrey (flute); Hank Redd (alto \u0026amp; tenor saxophones); Trevor Lawrence (tenor saxophone); Jim Horn (saxophone); Raymond Maldonado (trumpet, percussion); Glen Ferris (trombone); Ronnie Foster (organ); Herbie Hancock, Gregory Phillinganes (keyboards); Eddie Brown (collinga); Nathan Watts (bass, percussion); Raymond Pounds (drums); Carmello Hungria Gracia (timbales); Renee Hardaway (percussion); Al Fann Theatrical Ensemble, Minnie Riperton, Deniece Williams, Syreeta Wright, West Angeles Church Of God Choir, Hare Krishna Singers (background vocals).\u003cbr\u003eRecorded at the Hit Factory, New York, New York, The Record Plant, Los Angeles, California and The Record Plant, Sausalito, California.\u003cbr\u003eThis is a limited edition digipak.\u003cbr\u003ePersonnel includes: Stevie Wonder (vocals, harmonica, piano, keyboards); George Benson (guitar, background vocals); Michael Sembello (guitar); Peter Kleinow (steel guitar); Dorothy Ashby (harp); Bobbi Humphrey (flute); Hank Redd (alto \u0026amp; tenor saxophones); Trevor Lawrence (tenor saxophone); Jim Horn (saxophone); Raymond Maldonado (trumpet, percussion); Glen Ferris (trombone); Ronnie Foster (organ); Herbie Hancock, Gregory Phillinganes (keyboards); Eddie Brown (collinga); Nathan Watts (bass, percussion); Raymond Pounds (drums); Carmello Hungria Gracia (timbales); Renee Hardaway (percussion); Al Fann Theatrical Ensemble, Minnie Riperton, Deniece Williams, Syreeta Wright, West Angeles Church Of God Choir, Hare Krishna Singers (background vocals).\u003cbr\u003eRecorded at the Hit Factory, New York, New York; The Record Plant, Los Angeles, California; The Record Plant, Sausalito, California. Includes liner notes by Stevie Wonder\u003cbr\u003eAll tracks have been digitally remastered.\u003cbr\u003eSONGS IN THE KEY OF LIFE is a milestone in Stevland Morris' career and a masterwork of American popular music. Released in 1976, this double LP spent 14 of its 80 charting weeks at number one. From his sharp commentaries on American social history and pro-peace supplications to some of his most intimate professions of love, witness Stevie Wonder at a prolific point in his career, casting his music further beyond R\u0026amp;B, funk, and disco than ever before.\u003cbr\u003ePresent here are some of Stevie's greatest hits in their original context: the widely-sampled horn swirls of \"Sir Duke,\" comical baby-noise-laced jamming of \"Isn't She Lovely\" and fiercely poetic declaration of \"As\" still shine as brightly as ever. Perhaps less well-known are tunes like, \"Joy Inside My Tears,\" a slow, entrancing, synth-vamp on love's redemptive powers, or the fast-grooving funkout, \"Black Man,\" a compelling salute to America's pioneers of color. The keyboard sounds are as varied as ever, the bass as waggish as Bootsy, the arrangements a consummate preparation of melody and harmony. KEY OF LIFE is an inspired work in which Stevie marvels at life's unexpected miracles.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41868661588133,"sku":"600753164228","price":37.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/0b9ff76f661f22f0a7cc428d179ba1c3.jpg?v=1777026325"},{"product_id":"legend-30th-anniversary-edition-lp","title":"Legend - 30th Anniversary Edition","description":"This remastered version of LEGEND contains a 28 page booklet, and two bonus tracks.\u003cbr\u003ePersonnel: Bob Marley (vocals, guitar, percussion); Peter Tosh (vocals, guitar, piano, organ); Tyrone Downie (vocals, keyboards, percussion); Bunny Wailer (vocals, percussion); Aston \"Family Man\" Barrett (guitar, bass, percussion); Julian \"Junior\" Marvin (guitar, background vocals); Al Anderson, Earl \"Chinna\" Smith, Donald Kinsey (guitar); Earl \"Wya\" Lindo (keyboards, percussion); Touter (keyboards); Carlton Barrett (drums, percussion); Alvin \"Seeco\" Patterson, Joe Higgs (percussion).\u003cbr\u003eThe I Threes: Rita Marley, Marcia Griffiths, Judy Mowatt (background vocals).\u003cbr\u003eProducers: Steve Smith, Bob Marley and The Wailers, Chris Blackwell, Errol Brown.\u003cbr\u003eReissue producer: Bill Levenson.\u003cbr\u003eRecorded between 1972 and 1981. Originally released on Island (90169).\u003cbr\u003eDigitally remastered by Ted Jensen (2001, Sterling Sound, New York).\u003cbr\u003eDisc One of LEGEND: DELUXE EDITION contains a remastered version of LEGEND with two bonus tracks. Disc Two contains 1980's remixes of songs from LEGEND.\u003cbr\u003eBob Marley \u0026amp; The Wailers: Bob Marley (vocals, acoustic \u0026amp; electric guitar, percussion); Peter McIntosh (vocals, guitar, piano, organ); Bunny Livingston (vocals, bongos, congas); Earl \"Chinna\" Smith (guitar, percussion); Julian \"Junior\" Marvin (guitar, background vocals); Donald Kinsey, Al Anderson (guitar); Bernard \"Touter\" Harvey (piano, organ); Tyrone Downie, Earl \"Way\" Lindo (keyboards, percussion, background vocals); Aston \"Family Man\" Barrett (bass, percussion); Carlton Barrett (drums, percussion); Alvin \"Seeco\" Patterson (percussion).\u003cbr\u003eI Threes: Rita Marley, Marcia Griffiths, Judy Mowatt (background vocals).\u003cbr\u003eProducers: Bob Marley \u0026amp; The Wailers, Errol Brown, Chris Blackwell.\u003cbr\u003eCompilation producer: Bill Levenson.\u003cbr\u003eIncludes a 28-page book with lyrics and photos.\u003cbr\u003eDigitally remastered by Ted Jensen (2001, Sterling Sound, New York, New York).\u003cbr\u003eThere are few musicians whose music has indisputably advanced humanity. Reggae figurehead Bob Marley--a songwriter, poet, activist, and visionary--is one of them. The idea that a single-disc collection could represent the depth, breadth, and power of Marley's achievement is far-fetched, but LEGEND makes an excellent attempt. Every single one of its tracks is outstanding, and the artist's different faces--revolutionary (\"Get Up Stand Up\"), romantic (\"Is This Love\"), devout Rastafarian (\"Buffalo Soldier\"), and prophet (\"One Love\/People Get Ready\") are equally represented.\u003cbr\u003eIn addition to his moving message of love and unity, Marley is a master songwriter, as the timelessness of songs like \"Stir It Up,\" \"I Shot the Sheriff,\" and the gorgeous, poignant \"Redemption Song\" proves. Of course, a true sampling of Marley's output would require some early ska material, the Wailer's debut (CATCH A FIRE), the definitive NATTY DREAD, and his later-period opus EXODUS, but LEGEND provides a highly satisfying, if brief, overview of Marley's genius. A record well suited to any location, season, or time of day, it has proven universal in its appeal. The music herein is as essential as air. (Note: The Deluxe Edition includes two bonus tracks and an additional disc of remixes.)","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41889703493797,"sku":"602537854363","price":42.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/4d00c3e0569330f167c17ab00f188770_a2416a5b-785e-4c1f-8864-e351f6e03f5c.jpg?v=1780752640"},{"product_id":"george-thorogood-the-destroyers-8","title":"George Thorogood \u0026 the Destroyers","description":"This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.\u003cbr\u003ePersonnel: George Thorogood (vocals, acoustic \u0026amp; electric guitars); Billy Blough (bass); Jeff Simon (drums); Uncle Meat Pennington (tambourine, maracas).      \u003cbr\u003eRecorded at Dimension Sound Studios, Boston, Massachussets.\u003cbr\u003eIt's easy enough to trace the lineage of every one of the ten cuts on George Thorogood \u0026amp; the Destroyers' self-titled 1977 debut. Even the originals, of which there are only two, wear their influences on their sleeve, so there's not a minute of this album where the presence of Hound Dog Taylor, Elmore James, Bo Diddley, and John Lee Hooker loom large. Not one of those bluesmen ever played with much finesse, and Thorogood picked up that thread and ran with it, playing so hard the group seemed like a gang of primitives. No wonder they chose the name \"the Destroyers\": they ruined everything in their path. This brutal attack is one reason George Thorogood \u0026amp; the Destroyers feels distinctive, even when the lifted Elmore riffs, Bo Diddley beats, and wild, careening Houserocker rhythms are blatantly obvious: as he hammers away at his guitar, Thorogood plays with personality, his enthusiasm for making noise readily apparent. No matter how hard the Destroyers ride \"One Bourbon, One Scotch, One Beer,\" this album isn't about groove and it's certainly not about virtuosity -- it's about bashing out the blues at a punishing volume, and their lack of subtlety is why this 1977 debut still sounds powerful years after its release. ~ Stephen Thomas Erlewine","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41892489363621,"sku":"011661917613","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/3889cc2af4b63ca8d7b37eb914ef54c3_a1b7c110-b576-4829-ab32-60ec77408b27.jpg?v=1777775275"},{"product_id":"nathaniel-rateliff-the-night-sweats-lp-1","title":"Nathaniel Rateliff \u0026 the Night Sweats [LP]","description":"Songwriter Nathaniel Rateliff established himself as a critically celebrated folksy Americana singer\/songwriter on 2010's In Memory of Loss, his Rounder Records debut. Though he played in straight-ahead rock \u0026amp; roll bands before then, his independent releases since have been of intimate, poignant, and pensive songs. Until now. This self-titled offering on Stax is a hard-swinging, house-rocking affair that draws heavily on vintage R\u0026amp;B, soul, and proto rock \u0026amp; roll. Though Rateliff has displayed emotion in his vocals since the beginning, even fans have never heard him like this. Influences from Sam \u0026amp; Dave to Van Morrison to Sam Cooke range freely on this set -- and he has the voice to pull it off. The sessions were helmed by producer Richard Swift, who captured Rateliff and his large band -- complete with a swaggering horn section (and occasionally subtle strings) -- with just enough reverb to make it sound live. \"I've Been Falling,\" with its upright piano and handclaps, delves deep into vintage Morrison territory without really emulating him (though Rateliff comes closer on the album's last track, \"Mellow Out\"). The raw soul passion in \"Trying So Hard Not to Know\" evokes the historic Stax ethos perfectly, while sidling up to the Band's Big Pink era. \"S.O.B.\" has verses saturated in Southern gospel, with foot stomping and handclaps as the only accompaniment, before the entire band erupts in a carousing chorus. This reverses gospel's usual Saturday-night-to-Sunday-morning course; it is one of the rowdiest broken-heart songs you'll ever hear. \"I'd Be Waiting\" is a tender, wide-open love song with a late-night jazzy soul feel. The singer's voice is haunted equally by the spirits of Cooke and Bobby \"Blue\" Bland. If this album has a weakness -- and it does -- it's that Rateliff's use of these forms and styles in his writing is not only basic -- which is fine -- but overly formulaic. Only the pedal steel-driven Americana in the absolutely lovely \"Wasting Time\" -- which recalls the Gregg Allman of Laid Back -- deviates; one or two more songs in this vein (especially with this band) would have made all the difference. That's a small complaint, one that will deter few. Rateliff's world-weary, deeply expressive tenor and lyrics place him on a different level than any of the current crew of revivalists. ~ Thom Jurek","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41893348147365,"sku":"888072374126","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/5b72dac1ba1e55974b9b18a2f21f29d7_d8ba9e7f-5841-40cc-aee8-a08d9dad1470.jpg?v=1777730822"},{"product_id":"enter","title":"Enter","description":"Cybotron-Enter","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41896370307237,"sku":"888072050051","price":22.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/c5db5b10a124c3a26cca88df3de39e5c_9879e4fb-a2f6-4896-bece-da24f58da5f9.jpg?v=1777821420"},{"product_id":"heroes","title":"Heroes","description":"The Germanic feel of this album is not surprising, as David Bowie recorded it in Berlin during his period of infatuation with the city. HEROES is a much more lively affair than LOW and has the benefit of a title track that remains one of Bowie's finest songs, in addition to excellent contributions from Robert Fripp and Brian Eno.\u003cbr\u003eThe thick, mysterious textures of \"Beauty and the Beast\" set the tone for the rest of the album. The Eno-influenced \"Sense of Doubt\" is the flip side to the majestic \"Heroes\"--dark and moody, as is \"Neukoln\". But, despite (or perhaps because of) the charged atmosphere of doom and gloom, this is a seminal Bowie album.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41896385314981,"sku":"190295842840","price":28.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/bde49045c80282d96328bcaa41338957.jpg?v=1777665681"},{"product_id":"the-fragile-deviations-1","title":"Fragile: Deviations 1","description":"LIMITED EDITION - 180 GRAM VINYL - INCLUDING DOWNLOAD CODE - GATEFOLD COVER","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41896506065061,"sku":"602557386103","price":72.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/ce2686a1a61e1cc871eae8dab51a1e77_04ac2227-7eaa-4f34-befb-5e1947c3f57e.jpg?v=1777687987"},{"product_id":"shawn-mendes","title":"Shawn Mendes","description":"Picking up the thread left dangling from 2016's Illuminate, Shawn Mendes decides to create an even more fashionable set of soulful pop on his eponymous 2018 album. Mendes remains a quivering adolescent presence -- he was still 19 years old when this album saw release -- but his self-titled record is assured and quietly confident in a way that suggests he has his adulthood on his mind. He doesn't abandon the soft-focus soul that turned \"Stitches\" into a breakthrough smash, but he deepens his groove and polishes his surfaces, all the while concentrating on crafting sturdy songs. Never mind that the album gets off to a shaky start with \"In My Blood,\" an anonymous arena rock number that suggests he equates playing rock to the rafters with real music, a notion that's dispelled by the remainder of the record. He builds Shawn Mendes on lithe, tuneful R\u0026amp;B numbers, happy to have songs be as mellowly effervescent as \"Queen\" or as modern as the gently pulsating \"Youth,\" which is graced by an appearance from Khalid. Mendes occupies a space between modern R\u0026amp;B and Ed Sheeran's earnest balladeering, but the key to his success -- both commercially and artistically -- is his light touch. There's a palpable sweetness to music that endures, even when a production is as bright and glistening as it is on Shawn Mendes. That bodes well for the future that Shawn Mendes is so evidently planning for. ~ Stephen Thomas Erlewine","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41896527724709,"sku":"602567569497","price":30.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/4cb002269f5c201056774301120424e5_0d5e27ba-2bf6-4920-91d2-1c3f1bbbe216.jpg?v=1779703340"},{"product_id":"final-cut-lp","title":"Final Cut [LP]","description":"Pink Floyd Final Cut [LP]","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41897644654757,"sku":"888751842915","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/be9626dec827b2ebf908b76a65f02561.jpg?v=1777701796"},{"product_id":"notes-on-a-conditional-form-clear-vinyl","title":"Notes on a Conditional Form [Clear Vinyl]","description":"1975 - Notes On A Conditional Form (Clear Vinyl) (2 Lp)","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41897657532581,"sku":"602577658525","price":45.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/4a20a8c8add1ec02065a43d20e321ec3_6b4ca79c-468e-4d8e-94bd-8b9f2a22ee27.jpg?v=1779034415"},{"product_id":"carnegie-hall-1970-live","title":"Carnegie Hall 1970 [Live]","description":"Neil Young had just released his third solo album After the Gold Rush a few months before he played Carnegie Hall in December of 1970, where he offered up a new set of introspective songs that were relatively toned down when compared to the stomping full-band jamming of 1969's Everybody Knows This Is Nowhere. This would just be the beginning of a run of classic albums that continued throughout the '70s, and both sides of Young's musical personality -- the hushed and patient songwriter side, and the side that tended toward rugged rock -- were integral to how that peerless run played out. Young appeared alone on-stage at Carnegie Hall, playing stripped-down versions of his songs on acoustic guitar and piano to an audience so rapt they remained completely silent even as he took his time tuning the guitar and bantering between songs. He played two nights at Carnegie Hall, and while audience recordings of the second show found their way onto various bootlegs over the years, no bootlegs were ever made of the first night. Carnegie Hall 1970 offers the first public release of multi-track recordings from that first night, finding Young in rare form and delivering a diverse set list that included material from his records up to that point, as well as tunes that hadn't been released yet. Songs that were raging and blusterous on record, like \"Cinnamon Girl,\" \"Southern Man,\" and \"Cowgirl in the Sand,\" are mysterious and tender in their solo renditions, peeling away the distortion and guitar heroics to expose the lingering melancholy and aching beauty that so often lie at the core of Young's songwriting. Already, folksy acoustic songs like \"Tell Me Why,\" and the piano-based \"Birds\" take on an even more marked intimacy on Carnegie Hall 1970. Young's legendarily quaky voice conveys the loneliness, hope, loss, and appreciation of his lyrics with a profound impact when he stands alone with a single instrument. Die-hard fans will want to listen closely to versions of \"See the Sky About to Rain,\" \"Old Man,\" and \"Bad Fog of Loneliness,\" all of which had yet to be recorded and commercially released at the time of these performances. It speaks to the creative streak Young was in the thick of at that time (and would continue in various forms for the majority of his career) that he was already tired of playing his groundbreaking songs that were only a few years old and was eager to get the next ones out. Any Young completist will need Carnegie Hall 1970, but it's a special performance that can be appreciated by more casual listeners as well. Alone at the microphone, the purity, simplicity, and one-of-a-kind magic of some of Neil Young's best songs come into view in a way that's undeniable. ~ Fred Thomas","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41899871207589,"sku":"093624885153","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/8ad1b83fad159bd452656e030c5ab15a.jpg?v=1780751355"},{"product_id":"long-time-coming","title":"Long Time Coming","description":"Long Time Coming [8\/20]","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41899895095461,"sku":"888072241398","price":23.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/3473dbe4a67e99a758e0e2dde30545c0.jpg?v=1779446071"},{"product_id":"greatest-hits-vol-1-the-singles","title":"Greatest Hits, Vol. 1: The Singles","description":"","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41900697387173,"sku":"093624881414","price":28.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/48ac5af9d49561a212fa6e42e7dfe828_4a4027ec-c30a-40fa-b530-c29730913e91.jpg?v=1778844297"},{"product_id":"the-invisible-band-20th-anniversary-edition","title":"The Invisible Band [20th Anniversary Edition]","description":"Travis: Francis Healy, Douglas Payne, Andy Dunlop, Neil Primrose.\u003cbr\u003eAdditional personnel: Millennia Strings (strings); Jason Falkner (keyboards).\u003cbr\u003eRecorded at Ocean Way Studios, Los Angeles, California and Air Studios, London, England.\u003cbr\u003eThis Limited Edition of THE INVISIBLE BAND contains the hidden tracks \"Ring Out The Bell\" and \"You Don't Know What I'm Like\" following \"The Humpty Dumpty Love Song.\"\u003cbr\u003eTravis: Francis Healy, Douglas Payne, Andy Dunlop, Neil Primrose.\u003cbr\u003eAdditional personnel: Millennia Strings (strings); Jason Falkner (keyboards).\u003cbr\u003eRecorded at Ocean Way Studios, Los Angeles, California and Air Studios, London, England.\u003cbr\u003eTravis's second album THE MAN WHO made them one of the biggest bands in the UK. With all eyes upon the group for a follow-up, the foursome opts not for the deconstructed expectation-confounded tactics of Radiohead's KID A, but instead continues on the same path they'd already been heading down. THE INVISIBLE BAND is considerably softer than the band's previous albums, pursuing the ballad as transcendent mode of expression, but the popcraft is just as winningly melodic, the guitars just as jangly and inviting, and Fran Healy's songs as subtly accessible as ever.\u003cbr\u003eThere are a few unusual touches (the banjo on \"Sing,\" the electronic squiggles ending \"Afterglow\"), but for the most part, THE INVISIBLE BAND is full of simple, infectious melodies, intelligently expressed emotions, and a warmth that finds Travis aligned with the likes of Coldplay in open-hearted opposition to the Oasis\/Blur \"it's all about me\" school of Britpop. Closing with one of the album's most powerful songs, the affecting, broken-hearted ballad \"The Humpty Dumpty Love Song,\" THE INVISIBLE BAND is an admirable display of Travis's continued strength and staying power.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41900755812517,"sku":"888072159402","price":25.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/9876728440309266346a7fa74a712a46.jpg?v=1779031537"},{"product_id":"viva-la-vida-or-death-and-all-his-friends","title":"Viva la Vida or Death and All His Friends","description":"","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41902007582885,"sku":"5099921211416","price":38.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/d82a1884942877127053c58fbaa2082d_029b7b1a-2cda-437b-ba37-6ebad3e2d96c.jpg?v=1777759344"},{"product_id":"ella-and-louis-1","title":"Ella and Louis","description":"Personnel: Ella Fitzgerald (vocals); Louis Armstrong (vocals, trumpet); Oscar Peterson (piano); Herb Ellis (guitar); Ray Brown (bass); Buddy Rich (drums).\u003cbr\u003eRecorded at Capitol Studios, Hollywood, California on August 16, 1956. Orginally released on Verve (4003). Includes liner notes by John McDonough.\u003cbr\u003eAn inspired collaboration, masterminded by producer Norman Granz. Both artists were riding high at this stage in their careers. Granz assembled a stellar quartet of Oscar Peterson (piano), Buddy Rich (drums), Herb Ellis (guitar) and Ray Brown (bass). Equally inspired was the choice of material, with the gruffness of Armstrong's voice blending like magic with Fitzgerald's stunningly silky delivery. Outstanding are Irving Berlin's \"Cheek To Cheek\" and \"Isn't This A Lovely Day,\" and everything else works like a dream, with the golden star going to the Gershwin brothers' \"They Can't Take That Away From Me.\" Gentle and sincere, this is deserving of a place in every home.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41902115258533,"sku":"600753458860","price":31.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/bea661a6222edfffadc308a44d6855ab.jpg?v=1777719926"},{"product_id":"sams-town-lp","title":"Sam's Town [LP]","description":"On the 2006 follow-up to their wildly successful debut, HOT FUSS, the Killers' continue their torrid affair with1980s New Wave, but manage to incorporate the sounds of that era, particularly heavy use of synthesizers, more seamlessly into the mix. This is due, at least in part, to the presence of veteran producers Flood and Alan Moulder (Depeche Mode, Nine Inch Nails, U2), who help to make the tracks on SAM'S TOWN both brighter and edgier than earlier Killers tunes. While the Las Vegas-based act's Britpop-influenced songs are still marked by Brandon Flower's emotive vocals and bold synth lines, Dave Keuning's guitar riffs are amped up on much of the record, as exemplified by the urgent single \"When We Were Young,\" which easily stands as one of the quartet's finest tunes. Other highlights of this brooding album are the dramatic \"Bones\" and the yearning title track, songs that prove that the Killers may have unforeseen substance lurking under their carefully rendered style.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41902292172965,"sku":"602557631531","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/aa866f1f2e2384ac5813a4efe6b15e11.jpg?v=1777604686"},{"product_id":"americana","title":"Americana","description":"Americana [8\/30]","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41902457520293,"sku":"602577951398","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/d5f038d881cb9cc5312beea446826564.jpg?v=1779273055"},{"product_id":"black-messiah","title":"Black Messiah","description":"The one-eighty Questlove promised back in 2012, when the drummer and producer persuaded D'Angelo to perform for the first time in a dozen years, turns out to be closer to a ten. As those who caught later gigs and subsequent uploads could attest, there were no signs that D'Angelo -- enigmatic maker of two classics that twisted gospel, soul, funk, and hip-hop with aloof but deep-feeling swagger -- was developing his third studio album with production pointers from David Guetta or elocution lessons from Glee's vocal director. Instead, he's made another album that invites comparisons to the purposefully sloppy funk of Sly \u0026amp; the Family Stone's There's a Riot Goin' On. It's more outward-looking, refined, and bristly than what preceded it, however, and has much in common with releases from retro-progressive peers like Van Hunt and Bilal. D'Angelo retains the rhythmic core that helped him create Voodoo, namely Questlove, bassist Pino Palladino, and trumpeter Roy Hargrove, and adds many players to the mix, including guitarist Jesse Johnson and drummers James Gadson and Chris Dave. Q-Tip contributed to the writing of two songs, but a greater impact is made by Kendra Foster, who co-wrote the same pair, as well as six additional numbers, and can often be heard in the background. The societal ruminations within the fiery judder of \"1000 Deaths,\" the dreamy churn of \"The Charade,\" and the falsetto blues of \"Till It's Done,\" fueled as much by current planetary ills and race relations as the same ones that prompted the works of D'Angelo's heroes, strike the deepest. Among the material that concerns spirituality, devotion, lost love, and lust, D'Angelo and company swing, float, and jab to nonstop grimace-inducing effect. On the surface, \"Sugah Daddy\" seems like an unassuming exercise in fusing black music innovations that span decades, and then, through close listening, the content of D'Angelo's impish gibberish becomes clear. At the other end, there's \"Another Life,\" a wailing, tugging ballad for the ages that sounds like a lost Chicago-Philly hybrid, sitar and all, with a mix that emphasizes the drums. Black Messiah clashes with mainstream R\u0026amp;B trends as much as Voodoo did in 2000. Unsurprisingly, the artist's label picked this album's tamest, most traditional segment -- the acoustic ballad \"Really Love\" -- as the first song serviced to commercial radio. It's the one closest to \"Untitled (How Does It Feel),\" the Voodoo cut that, due to its revealing video, made D'Angelo feel as if his image was getting across more than his music. In the following song, the strutting \"Back to the Future (Part I),\" D'Angelo gets wistful about a lost love and directly references that chapter: \"So if you're wondering about the shape I'm in\/I hope it ain't my abdomen that you're referring to.\" The mere existence of his third album evinces that, creatively, he's doing all right. That the album reaffirms the weakest-link status of his singular debut is something else. ~ Andy Kellman","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41905146265765,"sku":"888750565518","price":35.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/a0a103c2f1c13d2a576b47c1ea147203.jpg?v=1778938383"},{"product_id":"blade-runner-original-soundtrack-lp","title":"Blade Runner [Original Soundtrack] [LP]","description":"This is the complete, original soundtrack to BLADE RUNNER, not released until 1994 because of contractual difficulties. This release also includes some soundscapes which were not in the movie.\u003cbr\u003ePersonnel: Vangelis (programming); Mary Hopkin, Don Percival, Demis Roussos (vocals); Dick Morrisey (saxophone).\u003cbr\u003eEngineers include: Frederick Rousseau, Philippe Colonna, Raphael Preston.\u003cbr\u003eRecorded at Nemo Studios, London, England. Includes liner notes by Vangelis.\u003cbr\u003eComposer: Vangelis.\u003cbr\u003eArriving 12 years after the release of the film, Vangelis' soundtrack to the 1982 futuristic noir detective thriller Blade Runner is as bleak and electronically chilling as the film itself. By subtly interspersing clips of dialogue and sounds from the film, Vangelis creates haunting soundscapes with whispered subtexts and sweeping revelations, drawing inspiration from Middle Eastern textures and evoking neo-classical structures. Often cold and forlorn, the listener can almost hear the indifferent winds blowing through the neon and metal cityscapes of Los Angeles in 2019. The sultry, saxophone-driven \"Love Theme\" has since gone on as one of the composer's most recognized pieces and stands alone as one of the few warm refuges on an otherwise darkly cold (but beautiful) score. An unfortunate inclusion of the 1930s-inspired ballad \"One More Kiss, Dear\" interrupts the futuristic synthesized flow of the album with a muted trumpet and Rudy Vallée-style croon. However well done (and appropriate in the movie), a forlorn love song that sounds as if it is playing on a distant Philco radio in The Walton''s living room jarringly breaks the mood of the album momentarily (although with CD technology, this distraction is easily bypassed). Fans of Ridley Scott's groundbreaking film (as well as those interested in the evolution of electronic music) will warmly take this recording into their plastic-carbide-alloy hearts. [Blade Runner was released on LP in 2015.] ~ Zac Johnson","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41905158717605,"sku":"825646122110","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/9dbaadfa18ff26ebde964e00b1266801_1c6c1ac0-8629-4313-8d9c-88ab1b23e81e.jpg?v=1777655930"},{"product_id":"24k-magic-1","title":"24K Magic","description":"Released four years after the multi-platinum Unorthodox Jukebox, 24K Magic -- or XXIVK Magic, if you're foolish enough to go by the cover -- might as well be considered the full-length sequel to \"Uptown Funk,\" Bruno Mars' 2014 hit collaboration with Mark Ronson. On his third album, Mars, joined primarily by old comrades Philip Lawrence, Brody Brown, and James Fauntleroy, sheds the reggae and new wave inspirations and goes all-out R\u0026amp;B. This is less an affected retro-soul pastiche -- like, say, The Return of Bruno -- than it is an amusing '80s-centric tribute to black radio. Sonically, '80s here means the gamut and the aftershocks felt the following decade, from the sparking midtempo groove in \"Chunky,\" which recalls Shalamar even more than album two's \"Treasure,\" to some full-blooded new jack swing moves. The clock is turned back a couple more decades to passable strutting James Brown-isms in \"Perm,\" while \"Too Good to Say Goodbye,\" co-written by Babyface, draws its structure and certain components from early-'70s Philly soul. Almost all of the material involves Mars in winking bad-boy player mode. He's often just ampin' like Bobby, yet the performances are undeniable, dealt out with all the determination and attitude of a kid who just bought a custom lavender Razz with his paper route money. Lead single \"24K Magic\" is a scrupulous compound of early-'80s funk tricks, another needed injection of good-time energy into commercial airwaves, but the album's true triumph is buried near the end -- not that it takes long to get there -- and scrapes the dawn of the '90s. In living color, decked out with a rattling breakbeat and zipping bassline, \"Finesse\" revisits the era when producers like Teddy Riley, Dave \"Jam\" Hall, and Dr. Freeze pushed their genre forward by fusing hip-hop to what they learned from electronic post-disco R\u0026amp;B pioneered by Leon Sylvers III, Kashif, and Jimmy Jam and Terry Lewis. Like much of what precedes it, the song is a blast. Those who want their rich and modern synthesizer funk minus flash would do well to seek Bugz in the Attic's \"Consequences,\" Dâm-Funk's \"Galactic Fun,\" Amalia's \"Welcome to Me,\" and Anderson Paak's \"Am I Wrong,\" for starters. ~ Andy Kellman","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41905168679077,"sku":"075678662720","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/1cd8fd59f4f702f1261f9ff97def7960_178f65bd-ca98-437d-b7e2-9e1a8d8956eb.jpg?v=1777665687"},{"product_id":"help-lp","title":"Help! [LP]","description":"The Beatles: John Lennon (vocals, guitar, electric piano); Paul McCartney (vocals, guitar, keyboards, bass); George Harrison (vocals, guitar); Ringo Starr (vocals, drums).\u003cbr\u003eAdditional personnel: George Martin (piano).\u003cbr\u003eHELP was the last Beatles album to feature a cover version (Larry Williams's \"Dizzy Miss Lizzie\"), and is considered a turning point in the quality of their songwriting. Like the previous album's \"Im a Loser,\" \"You've Got To Hide Your Love Away\" was Lennon's nod to the influence of Bob Dylan. McCartney's gift for melody was obvious in \"I've Just Seen A Face.\" And Harrison's songwriting contributions grew to two tracks.\u003cbr\u003eInstrumentally, \"Ticket To Ride\"'s off-beat rhythm was Ringo's masterpiece, while the string quartet in the huge hit \"Yesterday\" was unusual for a rock band at that time; it was the start of a stellar series of McCartney ballads with strings (\"Eleanor Rigby,\" \"She's Leaving Home\").","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41907261636773,"sku":"094638241515","price":31.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/87ccf5161bfd209b295537da7ba3037b_ae3be1f3-d204-4412-aed7-f8b95eb411dd.jpg?v=1777730227"},{"product_id":"gregory-alan-isakov-with-the-colorado-symphony","title":"Gregory Alan Isakov with the Colorado Symphony","description":"","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41911971086501,"sku":"190394407582","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/642ffd8bfae0eed4537c8696e821acd3.jpg?v=1777894362"},{"product_id":"you-i-lp","title":"You \u0026 I [LP]","description":"Jeff Buckley recorded the ten tracks that comprise the 2016 compilation You and I in February 1993, roughly four months after he signed to Columbia Records. He'd start recording Grace, his lone completed studio album, with producer Andy Wallace a few months after he laid down these sketches, but despite containing a solo demo of \"Grace,\" the closest connection to the music on You and I is the coffeehouse crooner showcased on Live at Sin-e, the EP released as a teaser toward the conclusion of 1993. Like that EP and its accompanying 2003 expansion, You and I relies on covers delivered by Buckley, accompanied by nothing more than his electric guitar, strummed as if it were an acoustic. Much of the repertoire showcased on this album will be familiar to any Gen-Xer who attended college during the height of alternative rock: classic rock numbers intertwined with the Smiths and standards, and tunes chosen to telegraph the singer's influences while also providing context for the originals. Occasionally, there's a slight surprise -- Buckley attempts Bukka White's Delta stomp on a slippery, slurred version of \"Poor Boy Long Way from Home\" -- but usually, You and I feels of a piece with the rest of his early work: he zeroes in on both the funk and spectral qualities of Zeppelin, he elongates Bob Dylan, plays \"Don't Let the Sun Catch You Cryin'\" relatively straight, and he finds his heart in Morrissey \u0026amp; Marr, drawing equally from the heartbreak and jangle. All these tunes may have been composed by other writers, but in Buckley's hands they seem to belong to him, which is the highest compliment that can ever be paid to a vocalist. ~ Stephen Thomas Erlewine","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41920480411813,"sku":"888751758513","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/20bba89ebf72c1b8b9e3b4bd4a8bffb9.jpg?v=1777721373"},{"product_id":"hamilton-mixtape-lp","title":"Hamilton Mixtape [LP]","description":"Various Artists Hamilton Mixtape [LP]","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41921123811493,"sku":"075678665356","price":36.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/0b73e8258c4163c2f0477cd391dc63bf_3e238599-c74c-4be2-9a53-7b0e0fad0d19.jpg?v=1780053702"},{"product_id":"under-the-mistletoe-lp","title":"Under the Mistletoe [LP]","description":"Justin Bieber's first Christmas album is an all-star affair, including guest features for Mariah Carey (on her \"All I Want for Christmas Is You\"), Boyz II Men (\"Fa La La\"), Busta Rhymes (\"Drummer Boy\"), and Usher (\"The Christmas Song\"). Although it was originally slated by Bieber and producers Scooter Braun and Kuk Harrell to feature all originals, it does include a new song, \"Mistletoe,\" as the first single.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41921369079973,"sku":"602547970220","price":31.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/fb7eb7d2b10fd1b5db74daf243beeb3c.jpg?v=1777705664"},{"product_id":"oh-mercy","title":"Oh Mercy","description":"Personnel: Bob Dylan (vocals, 6- \u0026amp; 12-string guitars, guitar, harmonica, piano, organ); Daniel Lanois (guitar, lap steel, dobro, Omnichord); Mason Ruffner, Brian Stoltz, Paul Synegal (guitar); Rockin' Dopsie (accordion); John Hart (saxophone); Malcolm Burn (keyboards, tambourine); Tony Hall, Larry Jolivet (bass); Willie Green, Alton Rubin, Jr. (drums); David Rubin, Jr. (scrub board); Cyril Neville, Daryl Johnson (percussion).\u003cbr\u003eThe second half of the 1980s was a dark time for hardcore Dylan fans, as their hero released a string of overproduced, lackluster albums, but the trend was gloriously reversed in 1989 with OH MERCY. The record was produced by Eno acolyte Daniel Lanois, and would help make the Canadian studio wizard a first-call producer, in addition to righting Dylan's reputation. Accordingly for an album made in New Orleans, OH MERCY has a thick, swampy, organic feel that echoes the blues roots so fundamental to Dylan's aesthetic, while simultaneously re-imagining them in a fresh, contemporary setting.\u003cbr\u003eThe songs, too, were Dylan's strongest in years. The modal \"Political World\" and chugging \"Everything Is Broken\" accurately take the sociopolitical temperature of the times without resorting to pedantry. \"Most of the Time\" is as full of romantic regret as \"What Was It You Wanted\" (later covered by Willie Nelson) reeks of emotional aloofness, and \"Man in the Long Black Coat\" is a mortality meditation as foreboding as anything in Dylan's catalogue. Though Dylan would turn out one more sub-par album after this (UNDER THE RED SKY), OH MERCY nevertheless marked the master songwriter's powerful return and dramatic upswing.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41921718124709,"sku":"889854384210","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/db47322dd6f9590495584da5a9ba5c20.jpg?v=1777603760"},{"product_id":"purple-rain-1","title":"Purple Rain","description":"Prince \u0026amp; The Revolution: Prince (vocals, guitar, keyboards); Wendy Melvoin (vocals, guitar); Lisa Coleman, Matt \"Dr.\" Fink (vocals, keyboards); Brown Mark (vocals, bass); Bobby Z (percussion).\u003cbr\u003eAdditional personnel: Apollonia (vocals); Novi Novog (violin, viola); David Coleman, Suzie Katayama (cello).\u003cbr\u003eEngineers include: Susan Rogers, Peggy Mac, David Riukin.\u003cbr\u003eA soundtrack to a movie so appalling that it is infinitely wiser to let the record stand on its own merits. While Prince cavorted in purple kitchen foil and rode his Harley in high heels, the real star of the film, the music, was doing all the talking. A knit of funk and rock, a heavily stylized Hendrix guitar lick here and there, and a wilfully danceable backbeat all made for a huge commercial smash, and the first real international introduction for many people to a star-in-waiting. 'Darling Nikki' accidentally set the PMRC ball rolling, but the heady lilt of the title track and the crushing 'When Doves Cry' can pardon him that.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":41922108752037,"sku":"093624917021","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/1bc59b19983bf1b45eba58081f98f08b.jpg?v=1777660210"},{"product_id":"songs-about-jane-lp","title":"Songs About Jane [LP]","description":"Maroon 5: Adam Levine (vocals, guitar); James Valentine (guitar); Jesse Carmichael (keyboards, background vocals); Mickey Madden (bass); Ryan Dusick (drums, background vocals).\u003cbr\u003eAdditional personnel includes: Jon O'Brien (programming); Mystic, Rashida Jones (background vocals).\u003cbr\u003ePrincipally recorded at Rumbo, Can Am, The Hook Studios, Los Angeles, California.\u003cbr\u003eMaroon 5 have certainly come a long way since their days in the indie outfit Kara's Flowers. After the band's demise in 1999, frontman Adam Levine surrounded himself with New York City's urban hip-hop culture and found a new musical calling. Maroon 5 was born and their debut album, Songs About Jane, illustrates an impressive rebirth. It's groovy in spots, offering bluesy funk on \"Shiver\" and a catchy, soulful disposition on \"Harder to Breathe.\" \"Must Get Out\" slows things down with its dreamy lyrical story, and Levine is a vocal dead ringer for Men at Work's Colin Hay. Don't wince -- it works brilliantly. Songs About Jane is love-drunk on what makes Maroon 5 tick as a band. They're not as glossy as the Phantom Planet darlings; they've got grit and a sexy strut, personally and musically. It's much too slick to cross over commercially in 2002, but it's good enough for the pop kids to take notice. 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Rather, their raw, shambling sound suggests a cross between the garage rock of the Strokes and White Stripes and the heartland sleaze-rock of Nashville Pussy. In fact, if the aforementioned garage types hadn't loosened up the music industry a bit, it would be hard to imagine a band as down-and-dirty as this foursome getting a major label deal. The songs aren't all blazing stompers; there are the occasional touches of acoustic guitar and piano and even a waltz tempo on one tune, but still in the same pointedly discombobulated spirit as the rockers. A hidden track on the end that sounds like EXILE-era Stones in heroin-country mode offers a hint to the Kings' deeper roots and leaves the option of sonic advancement open for the future.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":42015264899237,"sku":"889853473113","price":36.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/2944a9cdec010c42c3da84e3d5e24c8a.jpg?v=1780752818"},{"product_id":"xo-1","title":"XO","description":"Personnel: Elliott Smith; Rob Schnapf (guitar); Farhad Behroozi, Russel Cantor, Pamela Dealmeida, Waldemar Dealmeida, Henry Ferber, Jerrod Goodman, Peter Hatch, Raymond Tischer II (strings); Bruce Escovitz (flute, baritone saxophone, bass); Roy Poper (trumpet); R. James Atkinson (French horn); Jon Brion (chamberlain, vibraphone); Joey Waronker (drums); Tom Rothrock (drum loop).\u003cbr\u003eProducers: Tom Rothrock, Rob Schnapf, Elliot Smith.\u003cbr\u003eEngineers: Tom Rothrock, Rob Schnapf, Elliot Smith, Larry Crane.\u003cbr\u003eRecorded at Sunset Sound, Sound Factory, Ocean Way, Sonora, Los Angeles, California; Jackpot!, Portland, Oregon.\u003cbr\u003eThe Cinderella-esque climb from lo-fi indie cult artist to Grammy nominee\/major label darling must have been a perilous one for Smith, who makes the leap to the big time here after three well-regarded albums on small labels. He's lost none of his bite, though. The production values on XO may be slightly higher, but Smith's vision remains undiluted.\u003cbr\u003eThe production, centered around acoustic guitar augmented by keyboards and lush vocal harmonies, recalls pop icons like the Beach Boys (especially on the closing acapella cut), Beatles and Big Star, but this is no sunny Cali-pop album. Leavening the instrumental brightness are Smith's Nick Drake-ish whisper and his thoroughly downcast lyrics, which cast him squarely in the Mark Eitzel\/Smog camp of unrelenting self-effacement and misery. The combination of Smith's internal angst and his melodic pop constructions makes for a compelling artistic tension.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":42020866785445,"sku":"602557283518","price":30.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/ebb51cf51420cfb9cb4d4d8b764b6087_fa72d4d8-ec49-45dc-ad48-0deb6a7a77a6.jpg?v=1777696572"},{"product_id":"leave-a-whisper","title":"Leave a Whisper","description":"LEAVE A WHISPER","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":42022000099493,"sku":"075678647499","price":35.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/4c063bd9d93509ff099b8ce18515b2f5.jpg?v=1770487812"},{"product_id":"cinema-6","title":"Cinema","description":"Cinema [6\/25]","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":42023478067365,"sku":"075678644306","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/d9145e82fca7c1d473c873b30177d723.jpg?v=1777587932"},{"product_id":"sublime-lp","title":"Sublime [LP]","description":"Sublime: Bradley Nowell (vocals, guitar, Hammond B-3 organ, synthesizer); Eric Wilson (acoustic \u0026amp; electric basses, synthesizer); Bud (drums).\u003cbr\u003eAdditional personnel: Miguel (acoustic guitar, sound effects); Paul Leary (slide \u0026amp; electric guitars); Todd Foreman (saxophone); Jon Blondell (trombone); David Kahne (piano, organ); Field Marshall (percussion, programming, DJ); Dave Aron (programming).\u003cbr\u003eProducers: Paul Leary, David Kahne, Brad Nowell, Miguel.\u003cbr\u003eRecorded at Pedernales Studios, Briarcliff, Texas and Total Access Studios, Redondo Beach, California.\u003cbr\u003eThe popularity of ska bands like No Doubt and Goldfinger paved the way for what seemed to be inevitable success for Sublime. But lead singer Brad Nowell died of a heroin overdose in May 1996, two months before this major-label debut was released. SUBLIME reveals a talented act whose songs were a brilliant mix of punk, reggae, hip-hop and dub. Sublime's ability to jump genres is showcased within a few bars of \"What I Got.\" Amidst whistling, scratching and a rhythm copped from the Beatles' \"Lady Madonna,\" Nowell's vocals glide from spoken-word to a toasting vibe. Pop culture also provided a handy source, particularly in \"Caress Me Down,\" where porn star Ron Jeremy and G.I. Joe are mentioned amid reggae rhythms and Spanish lyrics.\u003cbr\u003eAlthough many of these songs have a fun, carefree aura, Sublime's darker side occasionally surfaces. The black humor of \"April 29, 1992 (Miami),\" which boasts of looting during the L.A. riots, gives way to the eerie foreshadowing of \"Garden Grove,\" where in the middle of quirky samples and heavy reverb, Nowell casually sings of shooting up.","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":42050545025189,"sku":"602547811875","price":37.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/15af4eac8c742ba75ef3cdc7b7ba9140_71933bb3-092d-4c9c-bdec-702a8c37821c.jpg?v=1779638469"},{"product_id":"beauty-behind-the-madness-artist-store-exclusive","title":"Beauty Behind the Madness [Artist Store Exclusive]","description":"All bets regarding Abel Tesfaye's career arc were off once Trilogy, material previously released at no (financial) cost to the listener, went platinum. For a period after that, it seemed like the singer had peaked just short of pop-star status. His eager congregation pushed Kiss Land, the proper debut, to number two in the U.S., yet none of its singles, not even the one that featured Drake, reached the Hot 100. \"Love Me Harder,\" a duet with labelmate Ariana Grande released in 2014, proved to be a masterstroke. It put Tesfaye in the Top Ten for the first time and began a streak of similarly effective singles that preceded -- and are included on -- Beauty Behind the Madness. \"Earned It,\" a ballad recorded for the Fifty Shades of Grey soundtrack, showed that he could adapt to a traditional pop backdrop. That cut a path for \"The Hills,\" in which Tesfaye alleviated his \"day one\" base with a typically degenerate slow jam, co-produced by Illangelo, that affirmed \"When I'm fucked up, that's the real me\" while taking the toxic narrative a step further with lines like \"Drugs started feelin' like it's decaf.\" And then \"Can't Feel My Face,\" a sleek slice of retro-modern disco-funk produced by Max Martin and Ali Payami, landed in June 2015. An obvious pop move, it worked -- it went to number one in the U.S. and several other territories. Tesfaye skillfully delivered his biggest hooks as he sang about dependency in that part-anguished, part-euphoric fashion derived from Michael Jackson. Like its advance singles, the rest of Beauty Behind the Madness is R\u0026amp;B and pop as drug-den paella: chemical and sexual abasement, self-loathing, and self-absorbed belligerence over narcotized sludge and less expected moves that peak with the wholly sweet \"As You Are\" and crest with a big-band diversion on \"Losers.\" Collaborations with Kanye West, Ed Sheeran, and Lana Del Rey add star power; the last of that pack contributes to a moment where Tesfaye turns another corner by acknowledging a dead end through the fog, \"addicted to a life that's so empty and so cold.\" The commercial strides are obvious. 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Adding some light to the mood are the moments when the band switches up the tempo or scales back on the large-scale arrangements. \"Sweater Weather\"'s stripped-down verses and almost funky beats add a little sunshine to the sound and Jesse Rutherford sounds more at home bopping along to the rhythms. ~ Tim Sendra","brand":"InnerSleeve","offers":[{"title":"Default Title","offer_id":42099054346405,"sku":"888837049313","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0612\/6007\/1077\/files\/4b8234821b1d2c22b2251424aaad82ea_b8bc6760-b6fe-4743-9641-97083f9cfb03.jpg?v=1779101139"}],"url":"https:\/\/www.innersleeve.com\/en-ca\/collections\/featured-vinyl.oembed?page=7","provider":"InnerSleeve","version":"1.0","type":"link"}